 if, indeed, that can be called composition in which all the images rose up before him as things with a parallel production of the corresponding expressions without any sensation or consciousness of effort.  The Marlburian - Pagina 34door Marlborough coll - 1867Volledige weergave - Over dit boek
 | Leo Katz - 1996 - 330 pagina’s
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awakening he appeared... | |
 | Alfred Alvarez - 1996 - 324 pagina’s
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. 63 ‘Kubla Khan' is all... | |
 | Peter Hughes, Robert Rehder - 1996 - 258 pagina’s
...since to the images he sees in his dream, he gets the words and lines of the poem, "... if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort" (163, emphasis added).... | |
 | Morton D. Paley - 1999 - 164 pagina’s
...characteristic of the earlier (:oleridge, as expressed in his accoaunt osf the creation of'Kubla Khan': ‘All the images rose up before him as things, with a parallel production of coarrenpomndent expressions' (GPO 1. 296). Once more, the late Coleridge expenences a renewal of earlier... | |
 | Margaret Russett - 1997 - 318 pagina’s
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. (CFW2 95 — 9 6) Dc Quinccy's... | |
 | Lawrence S. Rainey - 1997 - 294 pagina’s
...he received in a dream the full text of “Kubla Khan,” Blake seems the producer of poetical works “in which all the images rose up before him as things, with a parallel production of the correspondent expressions.” Words as images, words as things. In this respect, it is difficult to... | |
 | Morton D. Paley - 1999 - 338 pagina’s
...conveys his own conviction, is remarkably like his own account of how he composed 'Kubla Khan' in a state 'in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort'. 81 Swedenborg's visions... | |
 | Andre Bernard, Clifton Fadiman - 2000 - 808 pagina’s
...confidence that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | 1923 - 762 pagina’s
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | Alan Richardson - 2001 - 270 pagina’s
...another level of psychic fragmentation into discrete visual and linguistic modules: “if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort.” It is difficult to... | |
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