 if, indeed, that can be called composition in which all the images rose up before him as things with a parallel production of the corresponding expressions without any sensation or consciousness of effort.  The Marlburian - Pagina 34door Marlborough coll - 1867Volledige weergave - Over dit boek
 | Thomas Young Crowell - 1885 - 702 pagina’s
...confidence that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awakening he appeared... | |
 | Sir Hall Caine - 1887 - 188 pagina’s
...confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | Samuel Taylor Coleridge - 1888 - 330 pagina’s
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, withont any sensation or consciousness of effort. On awakening he appeared... | |
 | Samuel Taylor Coleridge - 1888 - 328 pagina’s
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent exIN the summer of the year 1797, the Author, then in ill Sressious, without any sensation... | |
 | William Ernest Henley - 1891 - 394 pagina’s
...vivid confidence that he could not have composed less than three hundred lines'; ' if that,' he adds, ' can be called composition, in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort.' On awakening, he proceeded... | |
 | George Rhett Cathcart - 1892 - 572 pagina’s
...confidence that he could not have composed less than from two to three hundred lines, — if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | Ainsworth Rand Spofford, Charles Gibbon - 1893 - 464 pagina’s
...confidence that he could not have composed leas than from two to three hundred lines, if that indeed can be called composition in which all the images...before him as things with a parallel production of the correspondent expressions, without any sensation or consciousness of effort On awaking he appeared... | |
 | Samuel Taylor Coleridge - 1893 - 886 pagina’s
...confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | John Morley - 1894 - 620 pagina’s
...confidence that he could not have composed less than from two to three hundred lines—if that indeed can be called composition in which all the images...expressions, without any sensation or consciousness of effect. On awaking he appeared to himself to have a distinct recollection of the whole, and, taking... | |
 | 1895 - 932 pagina’s
...Coleridge dreamed the poem, and only wrote down, when awake, what he remembered out of his dream. " The images rose up before him as. things, with a parallel production of the corresponding expressions." It is not unusual to dream verses, to remember them is rare, to find them worth remembering is rarer... | |
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