 | Aristotle, Lane Cooper - 1913 - 146 pagina’s
...the prosody of a verse, which they could not but have hit on before among the rudiments of grammar ; but that sublime art which in Aristotle's Poetics,...Horace, and the Italian commentaries of Castelvetro [on Aristotle], Tasso, Mazzoni, and others, teaches what the laws of a true epic poem, what of a dramatic,... | |
 | George Morey Miller - 1913 - 176 pagina’s
...simple, sensuous and passionate," but also the direction to learn this "sublime Art" in "Aristotles poetics, in Horace and the Italian commentaries of Castelvetro, Tasso, Mazzoni and others," who teach "what the laws are of a true Epic poem, what of a Dramatic, what of a Lyric, what decorum... | |
 | Ellwood Patterson Cubberley - 1920 - 718 pagina’s
...sublime Art which in AristiUes Poetics, in Horace, and the Italian Commentaries of Castel•vctro, Tasso, Mazzoni, and others, teaches what the laws...Epic Poem, what of a Dramatic, what of a Lyric, what Decomum is, which is the grand master-piece to observe. This would make them soon perceive what despicable... | |
 | Percy Hazen Houston - 1923 - 346 pagina’s
...be judged by them. In his Tractate on Education he observes that the art of poetry, which is treated in Aristotle's Poetics, in Horace, and the Italian...Castelvetro, Tasso, Mazzoni, and others, teaches what are the laws of a true epic poem, what of a dramatic, what of a lyric; what decorum is; which is the... | |
 | Walter Franz Schirmer - 1924 - 252 pagina’s
...Hartlib 1 644, Spingarn I. p. 206) bezeichnet er die Dichtung als 'that sublime art which in Aristoteles poetics, in Horace, and the Italian commentaries of...of a true Epic poem, what of a Dramatic, what of a Lyric,what decorum is. This would shew . . . what Religious, whatglorious and magnificent use might... | |
 | John Milton - 1927 - 208 pagina’s
...versel which they could not but have Jut on before among the rudiments of grammarjjut art whiclpin Aristotle's poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others^teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric, what decorum... | |
 | 1911 - 696 pagina’s
...fine. but more simple, sensuous and passionate. I mean not here the prosody of verse, . . . but the sublime art which in Aristotle's poetics, in Horace, and the Italian commentaries of Tasso, . . . teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric, what... | |
 | Lane Cooper - 1923 - 184 pagina’s
...here the prosody of a verse, which they could not but hit upon before among the rudiments of grammar; but that sublime art which in Aristotle's Poetics,...Tasso, Mazzoni, and others, teaches what the laws of a true epic poem, what of a dramatic, what decorum is — which is the grand masterpiece to observe.... | |
 | 1909 - 378 pagina’s
...here the prosody of a verse, which they could not have hit on before among the rudiments of grammar; but that sublime art which in Aristotle's Poetics,...and the Italian commentaries of Castelvetro, Tasso, Massoiu. and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a a... | |
 | Merritt Yerkes Hughes - 1970 - 412 pagina’s
...'that sublime Art which in Aristotles Poetics, in Horace, and the Italian Commentaries ofCastelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true Epic Poem' (Educ; Works, 4, 286), Milton learned, obviously, from many sources; and many of the influences he... | |
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Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric, what decorum is, which is the grand masterpiece to observe. 
