 | 1828 - 564 pagina’s
...Poetics, in Horace, and the Italian commentaries of Castlcvetro, Tasso, Mazzoni, and others, leaches what the laws are of a true Epic Poem, what of a dramatic, what of u lyrir, what flccorum is, which is the great masterpiece to observe. This would make them soon perceive... | |
 | John Milton - 1835 - 1044 pagina’s
...the prosody of a verse, which they could not but have hit on before among the rudiments of grammar; but that sublime art which in Aristotle's poetics, in Horace, and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,... | |
 | Schoolmaster - 1836 - 926 pagina’s
...the prosody of a verse, which they could not but have hit on before among the rudiments of grammar, but that sublime art which in Aristotle's Poetics, in Horace, and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, touches what the laws are of a true epic poem, what of a dramatic,... | |
 | 1836 - 432 pagina’s
...verse, which they could not but have hit on before among Ihe rudiments of grammar, but that subhme art which in Aristotle's Poetics, in Horace, and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,... | |
 | Central Society of Education (London, England), John Lalor, John Abraham Heraud, Edward Higginson, James Simpson - 1839 - 558 pagina’s
...falsity, than by reading all manner of tractates, and hearing all manner of reason." — Areopagitica. but " that sublime art which, in Aristotle's poetics, in Horace, and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws of a true epic poem are, what of a dramatic,... | |
 | Monthly literary register - 1840 - 694 pagina’s
...passionate," should have precedence of logic; not, of course, the mere ' prosody of a verse,' as he terms it, but' that sublime art which, in Aristotle's poetics, in Horace, and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,... | |
 | Robert Walsh, Eliakim Littell, John Jay Smith - 1829 - 618 pagina’s
...sublime art which in Aristotle 's Poetics, in Horace, and the Italian Commentaries of Caetlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, i what of a dramatic, what of a lyric, what de- j corum is, which is the great masterpiece to observe.... | |
 | Hugh Swinton Legaré - 1845 - 606 pagina’s
...the prosody of a verse, which they could not but have hit on before, among the rudiments of grammar, but that sublime art which in Aristotle's Poetics, in Horace, and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true Epic Poem, what of a dramatic,... | |
 | John Milton - 1845 - 572 pagina’s
...the prosody of a verse, which they could not but have hit on before among the rudiments of grammar ; but that sublime art which in Aristotle's poetics, in Horace, and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,... | |
 | John Milton - 1845 - 572 pagina’s
...the prosody of a verse, which they could not but have hit on before among the rudiments of grammar ; but that sublime art which in Aristotle's poetics, in Horace, and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,... | |
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Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric, what decorum is, which is the grand masterpiece to observe. 
