Music and theatre from Poliziano to Monteverdi
This book describes the many ways in which music was used in Italian theatrical performances between the late fifteenth and early seventeenth centuries. In particular, it concentrates on Polizano's Orfeo, Machiavelli's commedies, the Florentine intermedi and early operas, and the first operas in Venice.
Print Book, English, 1982
Cambridge University Press, Cambridge [etc.], 1982
xi, 392p.,[24] p. of plates : il, music ; 26cm.
9780521232593, 0521232597
1024041071
1. Orpheus, singer of strambotti; 2. Classical theatre, intermedi and frottola music; 3. Realistic use of music in comedy; 4. Temporal perspective and music; 5. 'The wondrous show, alas, of the intermedi!'; 6. Early opera and aria; 7. From Poliziano's Orfeo to the Orphei tragoedia; 8. The citta ferrarese; 9. Regular comedy and the perspective set; 10. 'Visible' intermedi and movable sets.
Traducido de: Li due Orfei