Front cover image for Landscape, natural beauty, and the arts

Landscape, natural beauty, and the arts

Landscape, natural beauty and the arts offers probing studies of the complex structure of aesthetic responses to nature. Each chapter refines and expands the terms of discussion, and together they enrich the debate with insights from art history, literary criticism, geography and philosophy. To establish a framework, T.J. Diffey explores a conception of natural beauty free from metaphysical commitments, while R.W. Hepburn considers what constitutes seriousness and triviality in the appreciation of nature. Both explain their claims by reference to art. The next papers investigate the determination of natural beauty by the arts. John Barrell analyzes the social construction of nature and the viewing subject in eighteenth-century paintings, and P. Adams Sitney clarifies how another medium - film - construes nature and determines our appreciation. Turning from the representation to the represented, Don Gifford considers the influence of the American wilderness on conceptions of natural beauty. Next Yi-Fu Tuan looks to the relation of human beings to icescapes and deserts, suggesting that perceptions of natural beauty too often depend on experiences of temperate climates. Perhaps the strongest contrast to the otherness of nature lies in its circumscription in gardening. Stephanie Ross shows how this structures contemporary environmental art. Developing the themes of the duality of gardens - their close reference to nature, and their construction out of nature under the aegis of high art - Donald Crawford defends the viability of comparisons between art and nature generally; Allen Carlson contends that the scientific understanding of nature provides a vocabulary that is inescapable even in aesthetic appreciation; and Arnold Berleant considers whether aesthetics harbors distinctive experiences, of art and nature, as part of the larger question: is appreciation engagement or contemplation? Finally, Noel Carroll explores the room for an emotional response to natural beauty, rooted in cognitions that are not simply scientific
Print Book, English, 1993
Cambridge University Press, Cambridge [England], 1993
Aufsatzsammlung
ix, 278 pages ; 24 cm.
9780521432795, 9780521558549, 0521432790, 0521558549
25675390
Nature, fine arts, and aesthetics / Salim Kemal and Ivan Gaskell
Natural beauty without metaphysics / T.J. Diffey
Trivial and serious in aesthetic appreciation of nature / Ronald W. Hepburn
The public prospect and the private view : the politics of taste in eighteenth-century Britain / John Barrell
Landscape in the cinema : the rhythms of the world and the camera / P. Adams Sitney
The touch of landscape / Don Gifford
Desert and ice : ambivalent aesthetics / Yi-Fu Tuan
Gardens, earthworks, and environmental art / Stephanie Ross
Comparing natural and artistic beauty / Donald W. Crawford
Appreciating art and appreciating nature / Allen Carlson
The aesthetics of art and nature / Arnold Berleant
On being moved by nature : between religion and natural history / Noël Carroll