 The crimes and miseries in which she was an actor and a sufferer are as the mask and the mantle in which circumstances clothed her for her impersonation on the scene of the world.  Dwight's Journal of Music - Pagina 229geredigeerd door - 1858Volledige weergave - Over dit boek
 | Augustus John Cuthbert Hare - 1913 - 800 pagina’s
...one another ; her nature simple and prolonnd. The crimes and miseries in which she was an actor and sufferer are as the mask and the mantle in which circumstances clothed her for her impersonation on the scene oí the world.'— Shelley's Preface to ' The Cenci.' ' The picture oí Beatrice Cenci represents simply... | |
 | Percy Bysshe Shelley - 1901 - 712 pagina’s
...~aa£[~gtiutlttuess d^ell together without de8troving_mie_a,HoJ:her ; heir nature was""sTnTpie ana profound. The crimes and miseries in which she was...her for her impersonation on the scene of the world. Thep?eTici Palace ys of great extent ; and, though in part modernized, there yet remains a vast and... | |
 | Oliver Elton - 1920 - 544 pagina’s
...: Beatrice Cenci appears to have been one of those rare persons in whom energy and gentleness dwell together without destroying one another ; her nature...her for her impersonation on the scene of the world. Neither Webster nor Tourneur, whose school of poetry Shelley had clearly been studying, would have... | |
 | Percy Bysshe Shelley - 1922 - 436 pagina’s
...one of those rare persons in whom energy and gentleness dwell together without destroying oneanother: her nature was simple and profound. The crimes and...her for her impersonation on the scene of the world. The Cenci Palace is of great extent; and though in part modernized, there yet remains a vast and gloomy... | |
 | Oliver Elton - 1924 - 500 pagina’s
...: Beatrice Cenci appears to have been one of those rare persons in whom energy and gentleness dwell together without destroying one another ; her nature...her for her impersonation on the scene of the world. Neither Webster nor Tourneur, whose school of poetry Shelley had clearly been studying, would have... | |
 | Percy Bysshe Shelley - 1994 - 752 pagina’s
...pathetic. Beatrice Cenci appears to have been one of those rare persons in whom energy and gendeness dwell together without destroying one another: her nature...was an actor and a sufferer are as the mask and the mande in which circumstances clothed her for her impersonation on the scene of the world. The Cenci... | |
 | Andrea K. Henderson - 1996 - 230 pagina’s
...in particular is described as a theatrical performance: "The crimes and miseries in which [Beatrice] was an actor and a sufferer are as the mask and the...her for her impersonation on the scene of the world" (242). This language underscores the association, discussed earlier, of corporeal life and theatricality;... | |
 | Theresa M. Kelley - 1997 - 372 pagina’s
...pathetic. Beatrice Cenci appears to have been one of those rare persons in whom energy and gentleness dwell together without destroying one another: her nature...her for her impersonation on the scene of the world. (SPP 242) This deft mix of pathos with theatricality makes Beatrice the inadvertent bearer of a false... | |
 | James Chandler - 1999 - 616 pagina’s
...face of Beatrice in the ColonnaPalace portrait (then attributed to Guido) in which we are told that the "crimes and miseries in which she was an actor...her for her impersonation on the scene of the world" (p. 242). In this passage, it is clear that the Shelleyan narrator of the preface indulges precisely... | |
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