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" expire. LXVIII. We are no other than a moving row Of Magic Shadow-shapes that come and go Round with the Sun-illumined Lantern held In Midnight by the Master of the Show; LXIX. But helpless Pieces of the Game He plays Upon this Checkerboard of Nights... "
The Universal Anthology: A Collection of the Best Literature, Ancient ... - Pagina 204
geredigeerd door - 1899
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"Renaissance,": Melodrama

Holger Drachmann - 1908 - 138 pagina’s
...strongly suggested to Omar, and he meant to embody that thought, doubtless, in the following stanza: ' We are no other than a moving row Of Magic Shadow-shapes...Lantern held In Midnight by the Master of the Show.' At times Omar grew weary of his speculations and his philosophy, and relapsed into the attitude either...
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Tables of Stone

Harold Begbie - 1908 - 544 pagina’s
...by heart. What was I going to quote from it ? Oh, yes, I remember. Stand a moment while I say it— We are no other than a moving row Of Magic Shadow-shapes that come and go Round with the Sun-illumin'd Lantern held In Midnight by the Master of the Show. Then this one, about human fate—...
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New Outlook, Volume 5

1952 - 1054 pagina’s
...Soul on fire Cast on the Darkness into which Ourselves, So late emerg'd from, shall so soon expire. We are no other than a moving row Of Magic Shadow-shapes that come and go Round with the Sun-illumin'd Lantern held In Midnight by the Master of the Show. . . . —From The Rubaiyat of Omar...
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Training the Speaking Voice

Virgil A. Anderson - 1977 - 494 pagina’s
...A sonnet is a moment's monument, Memorial from the Soul's eternity, To one dead deathless hour. 17. We are no other than a moving row Of Magic Shadow-shapes that come and go PRACTICE MATERIAL FOR [n] Comparing [n] and [d] INITIAL MEDIAL FINAL doe know paddle panel greed green...
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Omnipotence and other Theological Mistakes

Charles Hartshorne - 1984 - 162 pagina’s
...a new effort would have to be made to find a better way of interpreting the divine power. We are . But Helpless pieces of the Game He Plays Upon this Checker-board of Nights and Days; Hither and thither moves, and checks, and slays, And one by one back in the Closet lays. (Verse 69) Oh Thou,...
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The Realizations of the Future: An Inquiry into the Authority of Praxis

George Allan - 1990 - 344 pagina’s
...all. The truth of Being, it would seem, is calmly, in detachment and resignation, to acknowledge that: We are no other than a moving row Of Magic Shadow-shapes...Lantern held In Midnight by the Master of the Show; But helpless Pieces of the Game He plays Upon this Chequer-board of Nights and Days; Hither and thither...
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The North American Review, Volume 211

1920 - 878 pagina’s
...to emerge out of blackest night into life and color before they sink back into blackest night again. We are no other than a moving row Of magic shadow-shapes that come and go Round with this sun-illumin'd lantern held In midnight by the master of the show. Carlyle's Oliver Cromwell is...
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The Columbia Anthology of British Poetry

Carl R. Woodring, James Shapiro - 1995 - 936 pagina’s
...great argument About it and about: but evermore Came out by the same door where in I went. ¿ 68 ¿ We are no other than a moving row Of Magic Shadow-shapes...Lantern held In Midnight by the Master of the Show; ¿ 69 ¿ But helpless Pieces of the Game He plays Upon this Chequer-board of Nights and Days; Hither...
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The Classic Hundred Poems: All-time Favorites

William Harmon - 1998 - 386 pagina’s
...lantern: a contrivance like the modern slide projector. Again, FitzGerald's "Rubáiyát" is relevant: We are no other than a moving row Of Magic Shadow-shapes that come and go Round with this Sun-illumined Lantern held In Midnight by the Master of the Show . . . (LXVIII) Prince Hamlet:...
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Sea of Dreams

Kelly King - 2000 - 506 pagina’s
...funny-coloured fish. 46 Revelations, Honolulu, 1987 We are no other than a moving row Of Magic ShadDw-shapes that come and go Round with the Sun-Illumined Lantern held In Midnight by the Master of the Show. —RUBAIYAT OF OMAR KHAyYAM It was Takeo who had eventually convinced Sophie that she must tell the...
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