 | Charles Gildon - 1718 - 394 pagina’s
...Art, which in Ariftotle'^ Poetics, Horace, and the Italian Commentaries of Caftelvetro, Taflb, Maxzoni and others, teaches what the Laws are of a true Epic...-what of a Dramatic, what of a Lyric : What Decorum, .which » the grand Mafterpiece to olfer.ve. rfbis -would make them foon perceive "what defpicable... | |
 | Jonathan Richardson - 1734 - 756 pagina’s
...Poetics, in Horace, and 'the Italian Commentaries* «/'Caftelyetro, Tafib, Mazzoni, and Others^ teaches teaches what the Laws are of a true Epic Poem, what of a Drammatic, what of a Lyric, what Decorum is, Wkicb is the Grand MaJler-Piece to obferve. 'This would... | |
 | John Milton - 1747 - 240 pagina’s
...which in Arijiotlei Potties, in Horace, and the Italian Commentaries of Caftlcvetro, Taff'o, Maxzoni, and others, teaches what the Laws are of a true Epic Poem, what of a Dramatie, what of a Lyru-,-vrhat Decorum is, which is the grand Mafter-piece to obferve. This would... | |
 | 1803 - 240 pagina’s
...writers alone, both critics and poets, arc the best masters to teach, in Milton's emphatical style, " What the laws are of a true epic poem, " what of a dramatic, what of a lyric : what deco" rum is ; which is the grand masterpiece to ob" serve. This would make them soon perceive, " what... | |
 | John Milton, Charles Symmons - 1806 - 446 pagina’s
...fublime art which in Ariftotle's poetics, in Horace, and the Italian commentaries of Caftlevetro, Taffo, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatifc, •what of a lyric, what decorum is, which is the grand mafterpiece to obferve. This would... | |
 | John Milton - 1809 - 534 pagina’s
...the prosody of a verse, which they could not but have hit on before among the rudiments of grammar ; but that sublime art which in Aristotle's poetics, in Horace, and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,... | |
 | John Black - 1810 - 460 pagina’s
...hit on before among the rudiments of grammar; but that sublime art, which, in Aristotle's poetics, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the CHAP, vin. In the course of the summer, the Princess Lucretia, to iitD29.57S' avoid the heats, retired... | |
 | Abraham John Valpy - 1820 - 614 pagina’s
...the prosody of a verse, which they could not but have hit on before among the rudiments of grammar, but that sublime art which in Aristotle's Poetics,...and the Italian Commentaries of Castelvetro, Tasso, Mazsoni, and others, teaches what the laws are of a true Epic poem, •what of a dramatic, what of... | |
 | 1828 - 746 pagina’s
...the prosody of a verse, which they could not but have hit on before, among the rudiments of grammar, but that sublime art which in Aristotle's Poetics, in Horace, and the Italian Commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,... | |
 | Precept - 1825 - 302 pagina’s
...the prosody of a verse, which they could not but have hit on before among the rudiments of grammar; but that sublime art, which in Aristotle's Poetics, in Horace, and the Italian commentaries of Castelvettro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a... | |
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Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric, what decorum is, which is the grand masterpiece to observe. 
