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" It ought, in my opinion, to be indispensably observed, that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish- white ; and that the blue, the grey, or the green colours be kept almost entirely out of these... "
Monthly Review; Or New Literary Journal - Pagina 17
geredigeerd door - 1780
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Social England: A Record of the Progress of the People in Religion ..., Volume 5

Henry Duff Traill, James Saumarez Mann - 1904 - 948 pagina’s
...that the masses of light in a picture be always of a warm, mellow colour, yellow, red, or a yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours." The...
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Gainsborough and His Place in English Art

Sir Walter Armstrong - 1904 - 422 pagina’s
...that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and...
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Thomas Gainsborough: His Life, Work, Friends, and Sitters

William Biggs Boulton - 1905 - 482 pagina’s
...that the masses of light in a picture be always of a warm mellow colour, yellow, red, or yellowish white, and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and,...
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Discourses Delivered to the Students of the Royal Academy

Sir Joshua Reynolds - 1905 - 564 pagina’s
...masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish-white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and...
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The Real Blake: A Portrait Biography

Edwin John Ellis - 1907 - 500 pagina’s
...that the masses of light in a picture be always of a warm mellow colour — yellow, red, or yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and used only to support and set off these warm colours, and for...
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The Real Blake: A Portrait Biography

Edwin John Ellis - 1907 - 500 pagina’s
...that the masses of light in a picture be always of a warm mellow colour — yellow, red, or yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and used only to support and set off these warm colours, and for...
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John Pettie, R.A., H.R.S.A.

Martin Hardie - 1908 - 496 pagina’s
...that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish -white ; and that the blue, the grey, or the green colours be kept entirely out of these masses, and be used only to support and set off those warm colours." To search...
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Great English Painters

Francis Downman - 1908 - 380 pagina’s
...the masses of light in a picture be always of a warm, mellow colour — yellow, red, or a yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and...
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The Literary Works of Sir Joshua Reynolds ...: With a Memoir by ..., Volume 1

Sir Joshua Reynolds - 1909 - 518 pagina’s
...masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish-white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; anc...
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Complete Writings: With Variant Readings

William Blake - 1966 - 964 pagina’s
...that the masses of light in a picture be always of warm mellow colour, yellow, red, or a yellowish- white, and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; ....
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