 I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree and in the mode of its operation. It dissolves, diffuses, dissipates, in order to...  Studies in Philology - Pagina 721926Volledige weergave - Over dit boek
 | Werner Beierwaltes, Jean-Marc Narbonne, Alfons Reckermann - 2004 - 608 pagina’s
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create;...objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play with, but fixities and definîtes. The Fancy... | |
 | Jared Lobdell - 2014 - 204 pagina’s
...the primary in the kind of its agency, and differing only in degree and the mode of its operation. It dissolves, diffuses, dissipates in order to recreate:...all events it struggles to idealize and to unify." For Coleridge, then, the primary imagination is the ordinary agent of perception and consciousness;... | |
 | Robert Sean Lewis (aka Rafiq) - 2004 - 147 pagina’s
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create;...all events it struggles to idealize and to unify." For Coleridge, human thought is "a repetition in the finite [human] mind of the eternal act of creation... | |
 | Laurence Coupe - 2005 - 234 pagina’s
...infinite I AM. The secondary I consider as an echo of the former, co-existing with the conscious will. ... It dissolves, diffuses, dissipates, in order to re-create;...still, at all events, it struggles to idealize and to unify."4 In other words, even though every human being may be defined by virtue of the creative capacity... | |
 | C. S. Lewis - 2004 - 1086 pagina’s
...co-existing with the conscious will, yet still as identical with the primary in the kind of its operation. It dissolves, diffuses, dissipates, in order to re-create;...process is rendered impossible, yet still, at all event, it struggles to idealize and to unify. It is essentially vital, even as all objects (as objects)... | |
 | Fredric Jameson - 2005 - 460 pagina’s
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create;...objects {as objects) are essentially fixed and dead. "Fancy, on the contrary, has no other counters to play with, but fixities and definites. The fancy... | |
 | Bruce Mills - 2005 - 202 pagina’s
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create;...objects (as objects) are essentially fixed and dead. Such a definition marks a dramatic transformation from a classical and neoclassical sensibility and... | |
 | Paul Dawson - 2005 - 272 pagina’s
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates in order to recreate;...objects (as objects) are essentially fixed and dead (167). Here the Renaissance analogy between poetic and divine creation is extended to all imagination.... | |
 | Gesa Elsbeth Thiessen - 2005 - 424 pagina’s
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create;...objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play with but fixities and definites. The fancy is... | |
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