...the primary in the kind of its agency, and differing only in degree and in the mode of its operation. It dissolves, diffuses, dissipates, in order to recreate;...objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play with but fixities and definites. The fancy is...

...imagination breaks up the original perception into its sense-data and constructs a new concrete picture. " It dissolves, diffuses, dissipates, in order to recreate;...impossible, yet still at all events, it struggles to idealise and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed...

...or where this process is rendered impossible, yet still at all events it 1 Biographia, IV. RTP 145 L struggles to idealize and to unify. It is essentially...objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play with, but fixities and definites." 1 So for Wordsworth,...

...only imagination could Add the gleam, The light that never was on sea or land; for imagination was " essentially vital, even as all objects (as objects) are essentially fixed and dead ". l Imagination was, in fact, organic ; and the application of this adjective to the inner world has...

...And elsewhere he says of Imagination: 4 It dissolves, diffuses, dissipates in order to recreate. ... It is essentially vital, even as all objects (as objects) are essentially fixed and dead. . . Endeavours should be directed, so to transfer from our inward nature a human interest and a semblance...

...and in the mode of its operation. It dissolves, diffuses, dissipates, in order to recreate ; or when this process is rendered impossible, yet still at...objects (as objects) are essentially fixed and dead." Among the many projected books of Coleridge which never got themselves written, there is one which...

...and in the mode of its operation. It dissolves, diffuses, dissipates, in order to recreate ; or when this process is rendered impossible, yet still at...idealize and to unify. It is essentially vital, even 1895.] Samuel Taylor Coleridge. as all objects (as objects) are essentially fixed and dead." Among...

...repetitiver, mechanischer, toter (weiblicher) Fancy andererseits. Von der Imagination gilt nach Coleridge: (I)t struggles to idealize and to unify. It is essentially...objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play with, but fixities and definitcs. The Fancy is...

...be repetitive of the divine act of creation only by sustaining the ideal operative in such creation: "or where this process is rendered impossible, yet...all events it struggles to idealize and to unify." In its repetition the secondary imagination remains to this extent creative, "essentially vital," over...

...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to recreate:...or where this process is rendered impossible, yet at all events it struggles to idealize and to unify. It is essentially vital, even as all objects (as...