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" Heavens! when I think that Music too is condemned to be mad, and to burn herself, to this end, on such a funeral pile, — your celestial Opera-house grows dark and infernal to me ! Behind its glitter stalks the shadow of Eternal Death ; through it too,... "
The people's edition of Thomas Carlyle's works. 37 vols. Wanting vol. 33-35 - Pagina 127
door Thomas Carlyle - 1888
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The Works of Thomas Carlyle: Critical and miscellaneous essays

Thomas Carlyle - 1899
...the other false thing from the ways of men, and made a bit of God's Creation more melodious,—they have purchased you away from that; chained you to...and to burn herself, to this end, on such a funeral pile,—your celestial Opera-house grows dark and infernal to me! Behind its glitter stalks the shadow...
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Archiv für das Studium der neueren Sprachen und Literaturen, Volumes 107-108

1901
...his critical canons, there must be a Homer, inany Homers with their heroic performances.' — E7 127 'Behind its glitter stalks the shadow of Eternal Death;...through it too, I look not "up into the divine eye", äs Richter has it, "but down into the bottomless eyesocket".' Die Stelle stammt aus Jean Paul, Siebenkäs;...
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The Mechanism of English Style

Lewis Worthington Smith - 1916 - 291 pagina’s
...should not have been flung into Mahogany's claret-cup. And Rossini, too, and Mozart and Bellini — Oh, Heavens! when I think that Music too is condemned...Eternal Death ; through it too, I look not " up into 5 the divine eye," as Richter has it, " but down into the bottomless eye-socket — not up towards...
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The Mechanism of English Style

Lewis Worthington Smith - 1916 - 291 pagina’s
...that Music too is condemned to be mad, and to burn herself, to this end, on such a funeral pile—your celestial Opera-house grows dark and infernal to me!...Eternal Death; through it too, I look not " up into 5 the divine eye," as Richter has it, " but down into the bottomless eye-socket—not up towards God,...
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The Mechanism of English Style

Lewis Worthington Smith - 1916 - 291 pagina’s
...claret-cup. And Rossini, too, ln:I,c, q. 12-20: q. 20-33 :q,o. 33-lo7, g: hoq and Mozart and Bellini—Oh, Heavens! when I think that Music too is condemned...and to burn herself, to this end, on such a funeral pile—your celestial Opera-house grows dark and infernal to me! Behind its glitter stalks the shadow...
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The Quarterly Review, Volume 187

William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle) - 1898
...Bossini, too, and Mozart and Bellini — 0 Heavens ! when I think that Music too is condemned to bo mad, and to burn herself, to this end, on such a funeral...Behind its glitter stalks the shadow of Eternal Death.' Carlyle might have stolen every word of this stern denunciation from Wagner. It was all in print ;...
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The Quarterly Review, Volume 187

William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle) - 1898
...should not have been flung into Mahogany's claret-cup. And Rossini, too. and Mozart and Bellini — 0 Heavens ! when I think that Music too is condemned...Behind its glitter stalks the shadow of Eternal Death.' Carlyle might have stolen every word of this stern denunciation from Wagner. It was all in print ;...
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Carlyle's Works, Volumes 15-16

Thomas Carlyle - 1869
...Rossini, too, and Mozart and Bellini — 0 Heavens ! when I think that Music too is condemned to lx» mad, and to burn herself, to this end. on such a funeral pile, — your celestial Opera-house prows dark and infernal to me ! Behind its glitter stalks the shadow of Eternal Death ; through it...
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Harper's Magazine, Volume 4

Henry Mills Alden, Frederick Lewis Allen, Lee Foster Hartman, Thomas Bucklin Wells - 1852
...should not have been flung into Mahogany's claret-cup. And Rossini, too, and Mozart, and Bellini — Oh Heavens, when I think that Music too is condemned to be mad and to bum herself, to this end, on such a funeral pile — your celestial Operahouse grows dark and infernal...
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