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" Much more lively and affecting', says one of the principal characters, ' must be the style of those who write in- the height of a present distress, the mind tortured by the pangs of uncertainty (the events then hidden in the womb of fate), than the dry,... "
Clarissa: Or, the History of a Young Lady. Comprehending the Most Important ... - Pagina 4
door Samuel Richardson - 1784 - 1308 pagina’s
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Virtue and the Veil of Illusion: Generic Innovation and the Pedagogical ...

Dorothea E. von Mücke - 1991 - 364 pagina’s
...midst of present distress! How much more lively and affecting, tor that reason, must her style be, her mind tortured by the pangs of uncertainty (the events...womb of fate), than the dry narrative, unanimated style of a person relating difficulties and dangers surmounted, the relater perfectly at ease; and...
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A New Species of Criticism: Eighteenth-century Discourse on the Novel

Joseph F. Bartolomeo - 1994 - 228 pagina’s
...lively and affecting . . . must be the Style of those who write in the height of a present distress; the mind tortured by the pangs of uncertainty (the...womb of Fate); than the dry, narrative, unanimated Style of a person relating difficulties and dangers surmounted, can be; the relator perfectly at ease;...
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Narrative and Freedom: The Shadows of Time

Gary Saul Morson - 1994 - 356 pagina’s
...the principal characters, must be the Style of those who write in the height of a present distress; the mind tortured by the pangs of uncertainty (the...womb of Fate); than the dry, narrative, unanimated Style of a person relating difficulties and dangers surmounted, can be; the relater perfectly at ease;...
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Making America, Making American Literature: Franklin to Cooper

A. Robert Lee, W. M. Verhoeven - 1996 - 376 pagina’s
...the principal characters, "must be the style of those who write in the height of a present distress, the mind tortured by the pangs of uncertainty (the...womb of fate), than the dry, narrative, unanimated style of a person relating difficulties and dangers surmounted, can be ..." (Clarissa, "Author's Preface,"...
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The Mind of the Novel: Reflexive Fiction and the Ineffable

Bruce F. Kawin - 2006 - 398 pagina’s
...the principal characters, "must be the style of those who write in the height of a present distress, the mind tortured by the pangs of uncertainty (the...womb of fate), than the dry, narrative, unanimated style of a person relating difficulties and dangers surmounted, can be; the relater perfectly at ease;...
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Clarissa: History of a Young Lady

Samuel Richardson - 2006 - 658 pagina’s
...the principal character, 'must be the style of those who write in the height of a present distress; the mind tortured by the pangs of uncertainty (the...womb of fate;) than the dry, narrative, unanimated style of a person relating difficulties and danger surmounted, can be; the relater perfectly at ease;...
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Clarissa: Or, the History of a Young Lady

Samuel Richardson - 2006 - 714 pagina’s
...of present distresses! how much more lively and affecting, for that reason, must her style be; her mind tortured by the pangs of uncertainty, (the events...womb of fate,) than the dry, narrative, unanimated style of persons, relating difficulties and dangers surmounted; the relater perfectly at ease; and...
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Jane Austen Out of the Blue

Donald Measham - 2006 - 230 pagina’s
...here - writes from her heart's blood: 108 How much more lively and affecting... must her style be, her the pangs of uncertainty (the events then hidden in...womb of fate), than the dry narrative, unanimated style of a person relating difficulties and dangers surmounted....' 'I observe, Sir Edward,' says Charlotte,...
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Making America / Making American Literature: Franklin to Cooper

A. Robert Lee, W. M. Verhoeven - 1996 - 372 pagina’s
...the principal characters, "must be the style of those who write in the height of a present distress, the mind tortured by the pangs of uncertainty (the...womb of fate), than the dry, narrative, unanimated style of a person relating difficulties and dangers surmounted, can be ..." (Clarissa, "Author's Preface,"...
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