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" I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chapfallen? Now get you to my lady's chamber, and... "
The Mirror of Literature, Amusement, and Instruction - Pagina 41
1833
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Linguistic Variation in the Shakespeare Corpus: Morpho-syntactic Variability ...

Ulrich Busse - 2002 - 366 pagina’s
...Pritheesay on, he's for a jig or a tale of bawdry, or he sleeps. Say on, come to Hecuba. (50) Hamlet: Now get you to my lady's [chamber], and tell her, let her paint an inch thick, to this favor she must come; make her laugh at that. Prithee, Horatio, tell me one thing. Horatio: What's that,...
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The Dubious Spectacle: Extremities of Theater, 1976-2000

Herbert Blau - 2002 - 375 pagina’s
...invaded by the leperous distilment. The Avenger becomes the Skull, the dead Fool, the Ghost. JUL: Now get you to my lady's chamber, and tell her, let her paint an inch thick, MAR: My mother,— JUL: to this favor must she come. MAR: —-father and mother is man and wife, man...
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The Kendall/Hunt Anthology: Literature to Write About

K. H. Anthol - 2003 - 344 pagina’s
...wont to set the table on a roar? 2 1 0 No one now, to mock your own jeering? Quite chop-fall 'n? Now get you to my lady's chamber, and tell her, let her...paint an inch thick, to this favour she must come. Make her laugh at that. Prithee, Horatio, tell me one thing. 216 Hor. What's that, my lord? Ham. Dost...
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Stage Directions in Hamlet: New Essays and New Directions

Hardin L. Aasand - 2003 - 242 pagina’s
...direction to the corpse of Polonius, he now incongruously gives directions to the skull of Yorick: "Now get you to my lady's [chamber], and tell her, let her paint an inch thick, to this favor she must come; make her laugh at that" (192-95). A moment later, Laertes directs the pallbearers...
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Studying British Cultures: An Introduction

Susan Bassnett - 2003 - 260 pagina’s
...possihilities implicit in Hamlet's instruction to Yorrick's skull to: 'Now get you to my lady's chamher and tell her, let her paint an inch thick, to this favour must she come' (Vj.! 86-8). Mockery and self-mockery are suhtly intertwined in Cooper's performance,...
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Theatre and Religion: Lancastrian Shakespeare

Richard Dutton, Alison Gail Findlay, Richard Wilson - 2003 - 286 pagina’s
...personal, but cryptic, tribute of affectionate memory to Campion, its conclusion makes far more sense. 'Now get you to my lady's chamber and tell her, let her paint her face an inch thick, to this favour she must come' (5.1.194). After Hamlet's rapprochement with...
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Travels with Ernest: Crossing the Literary/sociological Divide

Laurel Richardson, Ernest Lockridge - 2004 - 278 pagina’s
...skeletons epic proportions. Ophelia's a-moldering outside somewhere in an unmarked, unhallowed ditch. Now get you to my lady's chamber and tell her, let her paint an inch thick, to this favor she must come. We devour a dinner of delectable Danish ribs, two full racks, and spend the night...
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Shakespeare: Hamlet

Paul A. Cantor - 2004 - 122 pagina’s
...(Ill.i. 142-4) His obsession with women's makeup culminates in his instructions to Yorick's skull: Now get you to my lady's chamber. and tell her. let her paint an inch thick. to this favor she must come; make her laugh at that. (Vi 192-5) The movement of this speech is characteristic...
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Stories in Stone

Douglas Keister - 2004 - 306 pagina’s
...roar? Not one now, to mock your own grinning? quite chap-fallen? Now get you to my lady's chamher, and tell her, let her paint an inch thick, to this favour she must come, make her laugh at that Death's Head It is said that a picture is worth a thousand words and, by extension,-...
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Shakespeare's Tragic Sequence

Kenneth Muir - 2005 - 224 pagina’s
...attack on cosmetics both in his scene with Ophelia and in the graveyard where he tells Yorick: 'Now get you to my lady's chamber, and tell her, let her...paint an inch thick, to this favour she must come.' But the speech is also linked with the discussion of the purpose of playing and the frequent stage...
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