Selected Essays of William Hazlitt 1778 to 1830Read Books Ltd, 18 apr 2013 - 830 pagina's Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. |
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Geoffrey Keynes. painter, before deciding finally to be writer. Afterwards he was relatively successful in this course, and came to have considerable influence with his pen; but at many points in his career he was subjected to ferocious ...
Geoffrey Keynes. painter, before deciding finally to be writer. Afterwards he was relatively successful in this course, and came to have considerable influence with his pen; but at many points in his career he was subjected to ferocious ...
Pagina
... painter, politician, dramatic critic, historian, literary critic, and journalist. The sections into which the selection is roughly ... Painting,” I have deliberately referred above to Hazlitt as a painter instead of ON LIFE IN GENERAL.
... painter, politician, dramatic critic, historian, literary critic, and journalist. The sections into which the selection is roughly ... Painting,” I have deliberately referred above to Hazlitt as a painter instead of ON LIFE IN GENERAL.
Pagina
... painter, with all the warmth and vision of the artist, rather than from the academic standpoint of the critic. That he really was a painter, his portrait of Lamb is almost sufficient proof by itself, and it suggests that he has never ...
... painter, with all the warmth and vision of the artist, rather than from the academic standpoint of the critic. That he really was a painter, his portrait of Lamb is almost sufficient proof by itself, and it suggests that he has never ...
Pagina
... paint like Claude, I could admire “the witchery of the soft blue sky” as I walked out, and was satisfied with the pleasure it gave me. If I was dull, it gave me little concern: if I was lively, I indulged my spirits. I wished well to ...
... paint like Claude, I could admire “the witchery of the soft blue sky” as I walked out, and was satisfied with the pleasure it gave me. If I was dull, it gave me little concern: if I was lively, I indulged my spirits. I wished well to ...
Pagina
... painted over again in his verse, to me “blushes” almost in vain “with blood of queens and kings.” I know how I should have felt at one time in reading such passages; and that is all. The sharp luscious flavour, the fine aroma is fled ...
... painted over again in his verse, to me “blushes” almost in vain “with blood of queens and kings.” I know how I should have felt at one time in reading such passages; and that is all. The sharp luscious flavour, the fine aroma is fled ...
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abstract admiration Æschylus appearance beauty Beggar’s Opera better Burke Burke’s caput mortuum character circumstances Coleridge colours common commonplace conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt heart House of Commons human humour idea imagination impression indifference interest Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel man’s manner means mind Molière nature Nether Stowey never object one’s opinion ourselves pain painter painting pass passion perhaps person picture pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought Titian truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write