The SonnetsCambridge University Press, 22 jun 2006 The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of The Sonnets, Stephen Orgel has written a new introduction to Shakespeare's best-loved and most widely read poems. In a series of focused readings he probes the sonnets' sexual and temperamental ambiguity as well as their complex textual history, and explores the difficulties editors face when modernising the spelling, punctuation and layout of the 1609 quarto. Orgel reminds us that the order in which the sonnets were composed bears no relation to the order in which they appear in the quarto and he warns against reading them biographically. This edition retains the text prepared by G. Blakemore Evans, together with his notes and commentary. |
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Pagina
... lovers. The language of love in the age implies everything but tells nothing. It is to the point that Shakespeare's Sonnet 20 explicitly denies that the poet is sleeping with the young man. Nothing can be taken for granted. The Sonnets ...
... lovers. The language of love in the age implies everything but tells nothing. It is to the point that Shakespeare's Sonnet 20 explicitly denies that the poet is sleeping with the young man. Nothing can be taken for granted. The Sonnets ...
Pagina
... lover who has left him at the altar. The lover's gender in this case is unspecified, though since the poem comes among the Sonnets to the young man, the gender is presumably male. When the beloved is a woman, the tone changes radically ...
... lover who has left him at the altar. The lover's gender in this case is unspecified, though since the poem comes among the Sonnets to the young man, the gender is presumably male. When the beloved is a woman, the tone changes radically ...
Pagina
... lovers are constructed throughout the volume — it is 'I think' that creates 'the heaven that leads men to this hell ... lover he is not good enough for, 'too clear for my possessing': Thus have I had thee as a dream doth flatter, In ...
... lovers are constructed throughout the volume — it is 'I think' that creates 'the heaven that leads men to this hell ... lover he is not good enough for, 'too clear for my possessing': Thus have I had thee as a dream doth flatter, In ...
Pagina
... lover deserves the neglect he suffers, and that the love, however compelling, however much the source of a poetry more lasting than monuments, is nothing but a flattering dream. Prospero's megalomania is in the Sonnets recognised as a ...
... lover deserves the neglect he suffers, and that the love, however compelling, however much the source of a poetry more lasting than monuments, is nothing but a flattering dream. Prospero's megalomania is in the Sonnets recognised as a ...
Pagina
... Lover's Complaint is spoken by a forsaken woman, seduced and abandoned by an eloquent charmer, as if the betrayed poet—lover has finally turned the tables, not only on his mistress, but also on all women, on all lovers. This plot begins ...
... Lover's Complaint is spoken by a forsaken woman, seduced and abandoned by an eloquent charmer, as if the betrayed poet—lover has finally turned the tables, not only on his mistress, but also on all women, on all lovers. This plot begins ...
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The Commentary | 155 |
Textual analysis | 203 |
Manuscript copies of the Sonnets | 214 |
Reading list | 219 |
Index of first lines | 222 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
A. B. Grosart Abbott appearance beauty beauty’s beloved Benson Booth suggests Capell Capell’s Collation notes compare line compositor conj context couplet Dark Lady death dost doth edited editors Elizabethan emendation eyes fair false favour flowers Gildon grace hath headnote heart Hood implied Ingram and Redpath Kerrigan kind line 14 line 9 Lintott live looks loue love i.e. love’s lover Lover’s Complaint Malone meaning metaphor metonymy mind misreading mistress moral Muse nature Nature’s night notes for Sonnet Ovid Passionate Pilgrim perhaps phrase play poems poet poet’s pow’r praise Q 12 Sonnet Q Sonnet Q variant quatrain Rape of Lucrece reading reference rhyme Rollins seems sense sexual Shakespeare Shakespeare’s Sonnets Sonnet 15 Sonnet 27 Sonnet 31 Sonnet 44 soul spirit summer’s sweet thee theme thine things Thorpe’s thou art thought Tilley Time’s true truth Tucker variant form Venus and Adonis verse words worth youth