Dwight's Journal of Music, Volumes 11-12John Sullivan Dwight Oliver Ditson & Company, 1858 |
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Pagina 20
... effect to increase the numbers and strengthen the efficiency of the Orchestra , thus enabling them to perform music of a higher and more classical charac- ter , and perhaps stimulate them to the performance of the grand instrumental ...
... effect to increase the numbers and strengthen the efficiency of the Orchestra , thus enabling them to perform music of a higher and more classical charac- ter , and perhaps stimulate them to the performance of the grand instrumental ...
Pagina 22
... effect , which no one will deny . We felt it and enjoyed it in the two first pieces , the Gregorian Venite , and the Te Deum by Tallis . Both these and the quite elaborate fugued Te Deums and anthems of later date ( by Farrant , Webbe ...
... effect , which no one will deny . We felt it and enjoyed it in the two first pieces , the Gregorian Venite , and the Te Deum by Tallis . Both these and the quite elaborate fugued Te Deums and anthems of later date ( by Farrant , Webbe ...
Pagina 30
... effect , evincing the careful drill which they have received . The symphonies and accompaniments were played by the Mendelssohn Quintet Club , Mr. B. D. Allen , and Mr. S. R. Leland . The club , with the addition of a bass viol , did ...
... effect , evincing the careful drill which they have received . The symphonies and accompaniments were played by the Mendelssohn Quintet Club , Mr. B. D. Allen , and Mr. S. R. Leland . The club , with the addition of a bass viol , did ...
Pagina 38
... effect possible in so large a hall as the Tremont Temple . Rossini's Qundo corpus , the gem of the Stabat Mater , was sung without accompaniment by Mrs. MOZART , Miss TwICHELL , Mr. ADAMS and Mr. MOZART , with a perfection never ...
... effect possible in so large a hall as the Tremont Temple . Rossini's Qundo corpus , the gem of the Stabat Mater , was sung without accompaniment by Mrs. MOZART , Miss TwICHELL , Mr. ADAMS and Mr. MOZART , with a perfection never ...
Pagina 42
... effect ; the day must fade away and the moon rise ; the bell must ehime , the organ wail , the storm burst in all its strength , and the thunder roll , peal after peal . See how he carries away the public ! A woman weeps , a prisoner ...
... effect ; the day must fade away and the moon rise ; the bell must ehime , the organ wail , the storm burst in all its strength , and the thunder roll , peal after peal . See how he carries away the public ! A woman weeps , a prisoner ...
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Populaire passages
Pagina 59 - Amidst the storm they sang, And the stars heard and the sea ; And the sounding aisles of the dim woods rang To the anthem of the free.
Pagina 132 - THERE is in souls a sympathy with sounds, And as the mind is pitched the ear is pleased With melting airs or martial, brisk or grave ; Some chord in unison with what we hear Is touched within us, and the heart replies.
Pagina 73 - Or tell a more marvellous tale. So she keeps him still a child, And will not let him go, Though at times his heart beats wild For the beautiful Pays de Vaud ; Though at times he hears in his dreams The Ranz des Vaches of old, And the rush of mountain streams From glaciers clear and cold ; And the mother at home says, " Hark ! For his voice I listen and yearn ; It is growing late and dark, And my boy does not return !
Pagina 157 - That even to birds, and beasts, the tender arts Of pleasing teaches. Hence the glossy kind Try every winning way inventive love Can dictate, and in courtship to their mates Pour forth their little souls.
Pagina 211 - Hide not thy face from me in the day when I am in trouble; incline thine ear unto me: in the day when I call answer me speedily.
Pagina 58 - ... tis said, when all were fired. Filled with fury, rapt, inspired, From the supporting myrtles round They snatched her instruments of sound ; And, as they oft had heard apart Sweet lessons of her forceful art, Each (for madness ruled the hour) Would prove his own expressive power. First Fear his hand, its skill to try, Amid the chords bewildered laid, And back recoiled, he knew not why, E'en at the sound himself had made.
Pagina 57 - The voice of him that crieth in the wilderness :— Prepare ye the way of the Lord : make straight in the desert a highway for our God. Every valley shall be exalted, and every mountain and hill made low, the crooked straight and the rough places plain...
Pagina 229 - The crimes and miseries in which she was an actor and a sufferer are as the mask and the mantle in which circumstances clothed her for her impersonation on the scene of the world.
Pagina 130 - One singer in particular, called Coletti or some such name, seemed to me, by the cast of his face, by the tones of his voice, by his general bearing, so far as I could read it, to be a man of deep and ardent sensibilities, of delicate intuitions, just sympathies ; originally an almost poetic soul, or man of genius, as we term it ; stamped by Nature as capable of far other work than squalling here, like a blind Samson, to make the Philistines sport...
Pagina 229 - ... golden hair escape, and fall about her neck. The moulding of her face is exquisitely delicate; the eyebrows are distinct and arched; the lips have that permanent meaning of imagination and sensibility which suffering has not repressed and which it seems as if death scarcely could extinguish. Her forehead is large and clear; her eyes, which we are told were remarkable for their vivacity, are swollen with weeping and lustreless, but beautifully tender and serene. In the whole mien there is...