Critical worksT. Cadell and W. Davies, strand., 1811 |
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Pagina 31
... Comedy , which are most important . For as to what concerns the province of Farce , this will be easily under- stood , when the character of the other two is once settled . f CHAP . I. ON THE PROVINCES OF TRAGEDY AND THE DRAMA . 31.
... Comedy , which are most important . For as to what concerns the province of Farce , this will be easily under- stood , when the character of the other two is once settled . f CHAP . I. ON THE PROVINCES OF TRAGEDY AND THE DRAMA . 31.
Pagina 32
Richard Hurd. f CHAP . I. ON THE PROVINCES OF TRAGEDY AND COMEDY . FROM the idea of these two species , as given above , the following conclusions , about the natures of each , are immediately deducible . 1. If the proper end of TRAGEDY ...
Richard Hurd. f CHAP . I. ON THE PROVINCES OF TRAGEDY AND COMEDY . FROM the idea of these two species , as given above , the following conclusions , about the natures of each , are immediately deducible . 1. If the proper end of TRAGEDY ...
Pagina 37
... comedy is less perfectly attained . d Aristotle was of the same mind , as appears from his definition of comedy , which , says he , is MIMHEIE QAY- AOTEPON ; [ x . . ] that is , the imitation of characters , whatever be the distinct ...
... comedy is less perfectly attained . d Aristotle was of the same mind , as appears from his definition of comedy , which , says he , is MIMHEIE QAY- AOTEPON ; [ x . . ] that is , the imitation of characters , whatever be the distinct ...
Pagina 38
... comedy , yet it is not to be neg- lected , any more than character in tragedy , but comes in as an useful accessary , or assistant to it . For the manners of men only shew themselves , or shew themselves most usually , in action . It is ...
... comedy , yet it is not to be neg- lected , any more than character in tragedy , but comes in as an useful accessary , or assistant to it . For the manners of men only shew themselves , or shew themselves most usually , in action . It is ...
Veelvoorkomende woorden en zinsdelen
action admiration Aelian Aeneis affections allusion ancient appear Aristotle beauty cerned character chuses circumstances comedy comic common conclusion copied critic degree delight disposition doth drama end of poetry entertainment epic Essay Euripides expression fable fancy FARCE genius ginal give GONDIBERT Greece Greek hath Homer human humour idea imagery imagination imita instance invention Italian Jonson kind language Latin learned least Ludlow Castle manners MARKS OF IMITATION mean Milton mind modern moral nature nihil numbers object observation occasion original paganism particular passion peculiar perhaps periphrasis persons picture plagiarism Plato Plautus pleasure poem poet poet's poetic Pope proper province racter reader reason reflexions religion repre representation resemblance rhyme ridicule rience scene sense sentiment Shakespear shew similar sion sort speak species Statius taken taste Theophrastus things thought tion tragedy true truth turn verse Virgil VOLPONE WILLIAM JEPHSON words καὶ
Populaire passages
Pagina 256 - Begin to cast a beam on the outward shape, 460 The unpolluted temple of the mind, And turns it by degrees to the soul's essence, Till all be made immortal ; but when lust By unchaste looks, loose gestures, and foul talk, But most by lewd and lavish act of sin, Lets in defilement to the inward parts, The soul grows clotted by contagion, Imbodies, and imbrutes, till she quite lose The divine property of her first being.
Pagina 255 - His honour and the greatness of his name Shall be, and make new nations ; he shall flourish, And, like a mountain cedar, reach his branches To all the plains about him ; our children's children Shall see this and bless heaven.
Pagina 256 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become • A kneaded clod...
Pagina 133 - Tout est dit : et l'on vient trop tard depuis plus de sept mille ans qu'il ya des hommes, et qui pensent.
Pagina 256 - How charming is divine Philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets, Where no crude surfeit reigns.
Pagina 286 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Pagina 256 - When first on this delightful land he spreads His orient beams, on herb, tree, fruit, and flower, Glistering with dew; fragrant the fertile earth After soft showers; and sweet the coming on Of grateful evening
Pagina 256 - Sirens' harmony, That sit upon the nine infolded spheres, And sing to those that hold the vital shears, And turn the adamantine spindle round On which the fate of gods and men is wound.
Pagina 278 - Lets in new light through chinks that Time has made: Stronger by weakness, wiser men become As they draw near to their eternal home. Leaving the old, both worlds at once they view That stand upon the threshold of the new.
Pagina 256 - Superior beings, when of late they saw A mortal man unfold all nature's law, Admir'd such wisdom in an earthly shape, And shew'da Newton as we shew an ape.