Oliver Holden (1765-1844): Selected WorksRoutledge, 8 avr. 2014 - 258 pages First Published in 1998. This series presents the music of early American composers of sacred music—psalmody, as it was called—in collected critical editions. Each volume has been prepared by a scholar who has studied the musical history of the period and the stylistic qualities of the composer. The purpose of the series is to present the music of important early American composers in accurate editions for both performance and study. This volume presents selected music by one of the best known and most prolific composers of New England psalmody during the late eighteenth and early nineteenth centuries. Oliver Holden was a native and life-long resident of Massachusetts. |
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Expressions et termes fréquents
additional stanzas American Andrews Anne Steele Anthem appoggiatura bass bless Boston CC and WC8 Charlestown choice of text choir choral church Collection of Sacred Columbia’s composers differs as follows Dirge dotted Earlier printings earth edition eighth-note ev’ry evidently intentional glor glory grace Hallelujah harmonic clash heart heav’n heav’nly heav'ns Henry Alline Holden in CC Holden in UH1 includes choosing note Isaiah Thomas joice Lord lyre Moderato octave Oliver Holden Performance note Piano pieces pow’r praise printings by Holden Psalm psalmodists psalmody quarter-note reflect Holden’s choice rejoice renumbered to reflect Rippon rise saviour sinners sixteenth-note skies song soul sound stanzas 1–2 Stanzas renumbered sung sweet tenor Text att thee thine Thomas and Ebenezer thou treble and tenor tune tunebooks UH1 differs Underlaid text differs Union Harmony vengeance rises voice Watts Hymns Watts Psalm WC8 differ William Cowper Words by Dr