AddisonBookRix, 11 mrt 2014 - 228 pagina's Addison written by William John Courthope. Published by HARPER & BROTHERS PUBLISHERS in 1902. and now republished in ePub file. William John Courthope was an English writer and historian of poetry, whose father was rector of South Malling, Sussex. Of the four English men of letters whose writings most fully embody the spirit of the eighteenth century, the one who provides the biographer with the scantiest materials is Addison. In his Journal to Stella, his social verses, and his letters to his friends, we have a vivid picture of those relations with women and that protracted suffering which invest with such tragic interest the history of Swift. Pope, by the publication of his own correspondence, has enabled us, in a way that he never intended, to understand the strange moral twist which distorted a nature by no means devoid of noble instincts. Johnson was fortunate in the companionship of perhaps the best biographer who ever lived. But of the real life and character of Addison scarcely any contemporary record remains. The formal narrative prefixed to his works by Tickell is, by that writer's own admission, little more than a bibliography. Steele, who might have told us more than any man about his boyhood and his manner of life in London, had become estranged from his old friend before his death. No writer has taken the trouble to preserve any account of the wit and wisdom that enlivened the "little senate" at Button's. His own letters are, as a rule, compositions as finished as his papers in the Spectator. Those features in his character which excite the greatest interest have been delineated by the hand of an enemy—an enemy who possessed an unrivalled power of satirical portrait-painting, and was restrained by no regard for truth from creating in the public mind such impressions about others as might serve to heighten the favourable opinion of himself. |
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... humour, and all we could wish followed of course. Then, again, your Tully and your discourses of another life are the very bane of mirth and good humour. Prythee, don't value thyself on thy reason at that exorbitant rate and the dignity ...
... humour, and all we could wish followed of course. Then, again, your Tully and your discourses of another life are the very bane of mirth and good humour. Prythee, don't value thyself on thy reason at that exorbitant rate and the dignity ...
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... humour has become obsolete through time and change; while the rich pictorial fancy of the Faery Queen is thus described: “Old Spenser next, warmed with poetic rage, in ancient tales amused a barbarous age—an age that yet uncultivate and ...
... humour has become obsolete through time and change; while the rich pictorial fancy of the Faery Queen is thus described: “Old Spenser next, warmed with poetic rage, in ancient tales amused a barbarous age—an age that yet uncultivate and ...
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... of Bentley, whose Horatian humour is celebrated by Pope in the Dunciad.[9] But the most interesting of the names in the volume is that of the once celebrated Edmond, commonly called “Rag,” Smith, author of the Ode on the Death of.
... of Bentley, whose Horatian humour is celebrated by Pope in the Dunciad.[9] But the most interesting of the names in the volume is that of the once celebrated Edmond, commonly called “Rag,” Smith, author of the Ode on the Death of.
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... humour, but, like other scholars of the same class, indolent and licentious. In spite of great indulgence extended to him by the authorities of Christ Church, he was expelled from the University in consequence of his irregularities. His ...
... humour, but, like other scholars of the same class, indolent and licentious. In spite of great indulgence extended to him by the authorities of Christ Church, he was expelled from the University in consequence of his irregularities. His ...
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... humour which Addison worked out in the Tatler and Spectator. The mock-heroic style in prose and verse was sedulously cultivated in England throughout the eighteenth century. Swift, Pope, Arbuthnot, and Fielding, developed it in various ...
... humour which Addison worked out in the Tatler and Spectator. The mock-heroic style in prose and verse was sedulously cultivated in England throughout the eighteenth century. Swift, Pope, Arbuthnot, and Fielding, developed it in various ...
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acquaintance Addison admirable Æneid afterwards Anne’s appears audience Cato character Charles II Club coffee-houses Countess of Warwick Court criticism Dennis described doubt drama Dryden Dunciad eighteenth century endeavour England English essays fashion favour feeling fortunes French genius gentleman Halifax honour humour Iliad imagination Italian Jacob Tonson Jeremy Collier Johnson King Kit-Kat Club letter lion literary literature live Lord Lord Halifax manners Marlborough Milston mind moral nature never Ovid Oxford paper Parliament party period person play pleasure poem poet poet’s political Pope Pope’s praise principles published Puritan Queen reader reason Restoration ridiculous Roger de Coverley satire says scarcely scenes seems sentiment Shakespeare Sir Roger society Spence Spence’s Anecdotes spirit stage Steele Steele’s style Swift taste Tatler Tatler and Spectator thought Tickell Tickell’s Tory tragedy translation verses virtue Whig Will’s William John Courthope words writes written wrote