 O Yes!' in order to awaken attention, and bespeak silence, at the entrance of the singers. Since the discovery which the genius of Stamitz first made, every effect has been tried which such an aggregate of sound can produce; it was here that the Crescendo...  Music and the Romantic Movement in France - Pagina 71door Arthur Ware Locke - 1920 - 184 pagina’sVolledige weergave - Over dit boek
 | John Holmes Agnew, Walter Hilliard Bidwell - 1884 - 892 pagina’s
...the Mannheim orchestra he mentions their introduction of the crescendo and diminuendo, and here too " the piano (which was before chiefly used as an echo,...with which it was generally synonymous), as well as the/o/-/<-, were found to be musical colors, which had their shades as well as red and blue in painting."... | |
 | Percy A. Scholes - 1955 - 1470 pagina’s
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 | Charles Burney - 1959 - 326 pagina’s
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