 How he formed his style, where he acquired all his taste and refinement, would be difficult to trace; he certainly neither inherited nor adopted them from his father, who was his only master; for that venerable musician, though unequalled in learning...  Music and the Romantic Movement in France - Pagina 36door Arthur Ware Locke - 1920 - 184 pagina’sVolledige weergave - Over dit boek
 | 1912 - 1082 pagina’s
...his 'taste and refinement, could neither have been inherited nor adopted ' from his father ; ' for that venerable musician, though unequalled in learning...inevitably have sacrificed melody and expression.' Apart from one or two of his pupils, who no doubt had some intuition of the superlative greatness of... | |
 | Charles Burney - 1927 - 304 pagina’s
...trace; he certainly neither inherited nor adopted them from his father, who was his only master; for that venerable musician, though unequalled in learning...inevitably have sacrificed melody and expression. Had the son chosen a model, it would certainly (have) been his father, whom he highly reverenced; but... | |
 | Grace O'Brien - 1953 - 248 pagina’s
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 | Charles Burney - 1959 - 326 pagina’s
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 | 1960 - 416 pagina’s
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 | Jean-Louis Cupers - 1985 - 424 pagina’s
...Emanuel Bach to his father, John Sebastian. John Sebastian seemed rather oldfashioned in 1770; «for that venerable musician, though unequalled in learning...inevitably have sacrificed melody and expression. » Emanuel was modern, a melodist, an emotional expressionist. Counterpoint, Emanuel thought, was too... | |
 | Don O. Franklin - 1989 - 392 pagina’s
...Emanuel's] father so excelled" (1771), or when he writes, "unequalled in learning and contrivance, [he] thought it so necessary to crowd into both hands all...inevitably have sacrificed melody and expression" (1773). The argument worked both ways, and only when the unfortunate and not very well-informed Burney... | |
 | Aldous Huxley - 2000 - 520 pagina’s
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