Pagina-afbeeldingen
PDF
ePub
[merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][ocr errors][merged small][merged small][ocr errors][merged small][merged small]

of Dorothy Wordsworth. Her influence over her

brother.

IV. Their life at Racedown. Under the helpful influence
of his sister, Wordsworth's passion for Nature
revives .

V. He recovers his sympathy for man as he is. His
sympathy with the poor. He becomes alive to the
existence and grandeur of human affection

VI. Dangers of the exclusive influence of Dorothy

[ocr errors]
[ocr errors]
[ocr errors]
[ocr errors]
[ocr errors]

I. Coleridge before 1796. His character and youth
II. His mystical tendencies. His early poems
III. His admiration for Wordsworth after reading Guilt
and Sorrow. He detects Wordsworth's imagina-
tive power

IV. Encouraged by Coleridge, Wordsworth writes The

Ruined Cottage

[ocr errors]

PAGE

I. Attempts of Wordsworth and Coleridge at collabora-
tion The Wanderings of Cain, The Ancient
Mariner, The Three Graves. Tendency of
Coleridge towards the fantastic; of Wordsworth
towards realism. Goody Blake and Harry Gill.
The Prologue to Peter Bell

II. Imagination and Fancy. Wordsworth's contempt

for the story of his poems. His condemnation of

the poetic style

[ocr errors]
[ocr errors]

II. The senses, which are its organs, are divine. The

[merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][ocr errors][merged small][ocr errors][merged small][merged small][ocr errors][merged small][merged small]

Prefatory Note

Being an Extract from an Article by Mr LESLIE STEPHEN in the “National Review,” reprinted by kind permission of the Editor.

M. Émile LegoUIS has written a singularly interesting study of Wordsworth's youth. Of M. Legouis' general qualifications, it need only be said that he has a thorough knowledge of English literature, and a minute acquaintance with all the special literature bearing upon Wordsworth's early career. He fully appreciates the qualities which, though they have endeared Wordsworth's poetry to his own countrymen, have hardly made him one of the cosmopolitan poets. M. Legouis' study is concerned with one stage in Wordsworth's development. Wordsworth was in France at the crisis of the revolution, and there, as we know from The Prelude, became the enthusiastic admirer of Michel Beaupuy, afterwards a general and an incarnation of republican virtue. Wordsworth compares him to Dion as the philosophic assailant of a tyrant.1 M. Legouis has already given an account of Beaupuy,2 and has now pointed out the nature of his influence upon his young English disciple.

Browning's Lost Leader represented a view of Wordsworth which seemed strange to most readers. The name of Wordsworth had come to suggest belief in the thirtynine articles, capital punishment, and rotten boroughs. 1 See Wordsworth's poem upon " Dion," written 1816.

2 Le Général Michel Beaupuy, par G. Bussière et Émile Legouis. Paris, 1891

« VorigeDoorgaan »