The Seven Basic Plots: Why We Tell StoriesBloomsbury Publishing, 11 nov 2005 - 736 pagina's This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose. Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years. This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come. |
Vanuit het boek
Resultaten 1-5 van 78
Pagina 1
Why We Tell Stories Christopher Booker. Introduction. and. Historical. Notes. 'He had likewise projected, but at what part ... tells of how the peace of the little seaside community of Heorot is rudely shattered by the arrival of Grendel, a ...
Why We Tell Stories Christopher Booker. Introduction. and. Historical. Notes. 'He had likewise projected, but at what part ... tells of how the peace of the little seaside community of Heorot is rudely shattered by the arrival of Grendel, a ...
Pagina 8
... Tell Stories , which begins with two very significant types of story which we have not looked at before . This relates myths about the creation of the world and the ' fall from innocence ' to the evolution of human consciousness and our ...
... Tell Stories , which begins with two very significant types of story which we have not looked at before . This relates myths about the creation of the world and the ' fall from innocence ' to the evolution of human consciousness and our ...
Pagina 21
Why We Tell Stories Christopher Booker. Chapter. 1. Overcoming. the. Monster. 'Legends of the slaughter of a destructive ... tells of how the kingdom of Uruk has fallen under the terrible shadow of a great and mysterious evil. The source of ...
Why We Tell Stories Christopher Booker. Chapter. 1. Overcoming. the. Monster. 'Legends of the slaughter of a destructive ... tells of how the kingdom of Uruk has fallen under the terrible shadow of a great and mysterious evil. The source of ...
Pagina 25
Why We Tell Stories Christopher Booker. stones into the giant's forehead, sending the great figure toppling lifeless to ... tells of how the young hero Sigurd, with the aid of his 'magic weapon', the great sword Gram, slays the horrible ...
Why We Tell Stories Christopher Booker. stones into the giant's forehead, sending the great figure toppling lifeless to ... tells of how the young hero Sigurd, with the aid of his 'magic weapon', the great sword Gram, slays the horrible ...
Pagina 26
Why We Tell Stories Christopher Booker. hero comes to a kingdom which is being ravaged by a dragon and, like Perseus ... tells how 'Prince Five-Weapons' (an early incarnation of the Buddha) confronts, subdues and finally converts the ...
Why We Tell Stories Christopher Booker. hero comes to a kingdom which is being ravaged by a dragon and, like Perseus ... tells how 'Prince Five-Weapons' (an early incarnation of the Buddha) confronts, subdues and finally converts the ...
Inhoudsopgave
1 | |
15 | |
THE COMPLETE HAPPY ENDING | 237 |
MISSING THE MARK | 345 |
WHY WE TELL STORIES | 541 |
The Light and the Shadows on the Wall | 699 |
Authors Personal Note | 703 |
Glossary of Terms | 707 |
Bibliography | 711 |
Index of Stories Cited | 715 |
General Index | 720 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
Aladdin Amleth anima Anna Karenina archetypal arrives beautiful become begins central figure centre century characters Comedy comes complete consciousness Creon Dark Father dark feminine dark figure dark masculine dark power Dark Rival death developed Don Giovanni Dream Stage egocentric egotism emerge eventually everything familiar fantasy film finally girl goal Hamlet happens happy ending heart hero and heroine hero or heroine human imagination inner James Bond Jane Eyre journey killed king kingdom liberated light lives look Macbeth married Moby Dick mother murder mysterious nature Nightmare Stage novel obsession Odysseus Oedipus ordeals Overcoming the Monster pattern play plot Princess Quest Rags to Riches realise recognise represents role seems seen sense shadow storytelling symbolic symbolised Teiresias tells Theseus thing Tragedy transformation true turn type of story ultimately uncon unconscious values Voyage and Return whole wife Wise Old woman young