The Seven Basic Plots: Why We Tell StoriesThis remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose. Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years. This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come. |
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LibraryThing Review
Gebruikersrecensie - Paul_S - LibraryThingStarts off by delivering on the title but even before halfway starts analysing and even moralising on the history of mankind. It tries to show how our perceptions of the world and its history are ... Volledige review lezen
LibraryThing Review
Gebruikersrecensie - texascheeseman - LibraryThingThe Seven Basic Plots Author: Christopher Booker Publisher: Continuum International Publishing Group Published In: New York City, NY / London, UK Volledige review lezen
Inhoudsopgave
Reaching the Goal | |
The Fatal Flaw | |
Missing the Mark | |
Enter the Dark Inversion | |
The Dark and Sentimental Versions | |
Quest Voyage and Return Comedy | |
Tragedy and Rebirth | |
Thomas Hardy A Case History | |
Comedy | |
The Plot Disguised | |
The Five Stages | |
The Divided Self | |
The Hero as Monster | |
Rebirth | |
From Shadow into Light | |
The Rule of Three the role played in stories by numbers | |
The Complete Happy Ending | |
Prologue to Part | |
The Dark Figures | |
The Feminine and Masculine Values | |
The Perfect Balance | |
The Unrealised Value | |
The Archetypal Family Drama Continued | |
The Light Figures | |
The Passive Ego The Twentieth | |
Why Sex and Violence? The Active Ego | |
From Job to Nineteen | |
The Mystery | |
Oedipus and Hamlet | |
Why We Tell Stories | |
The Ruling Consciousness | |
Reconnecting with The One | |
The Dismantling of the Self | |
The Light and the Shadows on the Wall | |
Authors Personal Note | |
Glossary of Terms | |
Bibliography | |
Index of Stories Cited | |
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Veelvoorkomende woorden en zinsdelen
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