The Works of William Shakespeare: The Plays Ed. from the Folio of MDCXXIII, with Various Readings from All the Editions and All the Commentators, Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English Drama, a Memoir of the Poet, and an Essay Upon the Genius, Volume 11Little, Brown, 1862 |
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Pagina 8
... hand and most capable of the work ; and , as at each rewriting they were generally more or less recast , the longer they kept the stage the more they deviated from the original story upon which they were founded . To this common fortune ...
... hand and most capable of the work ; and , as at each rewriting they were generally more or less recast , the longer they kept the stage the more they deviated from the original story upon which they were founded . To this common fortune ...
Pagina 10
... hands as meaning that the play had been " enlarged " by the author . But upon the very face of it , and especially under the circumstances , has it not clearly a very different purport ? The previous edition is so corrupt , disconnected ...
... hands as meaning that the play had been " enlarged " by the author . But upon the very face of it , and especially under the circumstances , has it not clearly a very different purport ? The previous edition is so corrupt , disconnected ...
Pagina 16
... hand , there are passages in the folio which are not found in the second quarto , enlarged though it was " to almost as much againe " as the play had been before , " according to the true and perfect copy ; " and of these passages there ...
... hand , there are passages in the folio which are not found in the second quarto , enlarged though it was " to almost as much againe " as the play had been before , " according to the true and perfect copy ; " and of these passages there ...
Pagina 17
... hand in their proper sequence . As evidence of this , it is only neces- sary to state that the soliloquy " To be , or not to be " ( Act III . * " Ham . How comes it ? Do they grow rusty ? Ros . Nay , their endeavour keeps in the wonted ...
... hand in their proper sequence . As evidence of this , it is only neces- sary to state that the soliloquy " To be , or not to be " ( Act III . * " Ham . How comes it ? Do they grow rusty ? Ros . Nay , their endeavour keeps in the wonted ...
Pagina 21
... hand the first text contains at least as many passages which , making all possible allowance for hasty performance ... hand ; 2. That where mechanical skill failed the short - hand writer he either filled up the blanks from memory or ...
... hand the first text contains at least as many passages which , making all possible allowance for hasty performance ... hand ; 2. That where mechanical skill failed the short - hand writer he either filled up the blanks from memory or ...
Overige edities - Alles bekijken
The Works of William Shakespeare: The Plays Ed. from the Folio of ..., Volume 11 William Shakespeare Volledige weergave - 1865 |
Veelvoorkomende woorden en zinsdelen
better blood Brabantio Cassio Cordelia Corn Cyprus daughter dead dear death Desdemona dost doth Duke EDGAR Edmund Emil EMILIA Enter Exeunt Exit eyes farewell father fear folio omits follow Fool Fortinbras foul Gent gentleman Ghost give Gloster GONERIL Guil GUILDENSTERN Hamlet handkerchief hath hear heart Heaven honest Horatio Iago Kent King King Lear knave lady Laer Laertes Lear look lord madam matter Michael Cassio misprint Moor murther night noble old copies Ophelia Othello passage play poison'd POLONIUS poor Pr'ythee pray quarto Queen reading Regan Roderigo ROSENCRANTZ ROSENCRANTZ and GUILDENSTERN SCENE sense Shakespeare's shew soul speak speech sweet sword tell thee there's thine thing thou art thought to-night tongue tragedy trumpet Venice villain wife words
Populaire passages
Pagina 83 - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life ; But that the dread of something after death, — The undiscovered country, from whose bourn No traveller returns, — puzzles the will ; And makes us rather bear those ills we have, Than fly to others that we know not of ? Thus conscience does make cowards of us all...
Pagina 152 - tis not to come ; if it be not to come, it will be now ; if it be not now, yet it will come : the readiness is all.
Pagina 78 - O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing...
Pagina 86 - O ! it offends me to the soul, to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings...
Pagina 87 - And let those, that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question}: of the play be then to be considered : that's villainous ; and shows a most pitiful ambition in the fool that uses it.
Pagina 428 - Good name in man and woman, dear my lord, Is the immediate jewel of their souls : Who steals my purse steals trash ; 'tis something, nothing ; 'Twas mine, 'tis his, and has been slave to thousands ; But he that filches from me my good name Robs me of that which not enriches him And makes me poor indeed.
Pagina 109 - Assume a virtue, if you have it not. That monster, custom, who all sense doth eat, Of habits devil, is angel yet in this, That to the use of actions fair and good He likewise gives a frock or livery, That aptly is put on.
Pagina 49 - I could a tale unfold, whose lightest word Would harrow up thy soul ; freeze thy young blood ; Make thy two eyes, like stars, start from their spheres ; Thy knotted and combined locks to part, And each particular hair to stand on end, Like quills upon the fretful porcupine...
Pagina 34 - Seems, madam ! nay, it is ; I know not 'seems.' 'Tis not alone my inky cloak, good mother, Nor customary suits of solemn black, Nor windy suspiration of forc'd breath, No, nor the fruitful river in the eye, Nor the dejected haviour of the visage, Together with all forms...
Pagina 270 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these? O! I have ta'en Too little care of this. Take physic, pomp; Expose thyself to feel what wretches feel, That thou may'st shake the superflux to them, And show the heavens more just.