Shakespeare's Tragic SequenceRoutledge, 11 okt 2013 - 216 pagina's First published in 1972. The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. The plays are almost always concerned with one person; they end with the death of the hero; the suffering and calamity that befall him are exceptional; and the tragedies include the medieval idea of the reversal of fortune. |
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Pagina
... Ghost Sonata from that of The Father. In the same way the form of King Lear is unlike that of Macbeth, not to mention Antony and Cleopatra or Romeo and Juliet. The tragic form will be influenced by a number of different factors, some of ...
... Ghost Sonata from that of The Father. In the same way the form of King Lear is unlike that of Macbeth, not to mention Antony and Cleopatra or Romeo and Juliet. The tragic form will be influenced by a number of different factors, some of ...
Pagina
... Ghost in Hamlet comes from hell, that Edgar has 'a touch of his father's pleasant vices', and that Cordelia is selfrighteous. Professor Battenhouse turns Shakespeare into a rather puritanical moralist, which to believe of him, as the ...
... Ghost in Hamlet comes from hell, that Edgar has 'a touch of his father's pleasant vices', and that Cordelia is selfrighteous. Professor Battenhouse turns Shakespeare into a rather puritanical moralist, which to believe of him, as the ...
Pagina 12
... Ghost Sonata from that of The Father . In the same way the form of King Lear is unlike that of Macbeth , not to mention Antony and Cleopatra or Romeo and Juliet . The tragic form will be influenced by a number of different factors ...
... Ghost Sonata from that of The Father . In the same way the form of King Lear is unlike that of Macbeth , not to mention Antony and Cleopatra or Romeo and Juliet . The tragic form will be influenced by a number of different factors ...
Pagina 14
... Ghost in Hamlet comes from hell , that Edgar has ' a touch of his father's pleasant vices ' , and that Cordelia is self - righteous . Professor Battenhouse turns Shakespeare into a rather puritanical moralist , which to believe of him ...
... Ghost in Hamlet comes from hell , that Edgar has ' a touch of his father's pleasant vices ' , and that Cordelia is self - righteous . Professor Battenhouse turns Shakespeare into a rather puritanical moralist , which to believe of him ...
Pagina 27
... ghosts of Richard's victims appear to him and to Richmond on the eve of the Battle of Bosworth . The theme of retribution is linked with the theme of conscience , which is presented to us in various ways . At first it appears that ...
... ghosts of Richard's victims appear to him and to Richmond on the eve of the Battle of Bosworth . The theme of retribution is linked with the theme of conscience , which is presented to us in various ways . At first it appears that ...
Inhoudsopgave
9 | |
20 | |
Julius Caesar | 42 |
Hamlet | 55 |
Othello | 93 |
King Lear | 117 |
Macbeth | 142 |
Antony and Cleopatra | 156 |
Coriolanus | 172 |
Timon of Athens | 187 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
accept action Antony appears argued asks assume audience become beginning believe Brutus Caesar calls Cassio cause character Claudius Cleopatra committed concerned confesses conscience contrast Cordelia Coriolanus critics death Desdemona devil effect Elizabethan evil expressed eyes fact father fear feeling final followed friends Ghost give gods guilty Hamlet hand hath heart heaven hero Horatio human Iago idea imagery images imagination kill King Lear Lady Laertes later Lear's less lines live look Macbeth means mentioned merely mind moral mother motive murder nature never night noble Ophelia Othello passion play poor present Professor question realise reason refers regarded revealed revenge Richard says scene seems seen Shakespeare soliloquy soul speaks speech spirit stage story suggested tells thee thing thou thought Timon tragedy tragic true truth turn villain virtue wife wish