Selected Essays of William Hazlitt1930 |
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Pagina 474
... write without affectation is to write at random . the contrary , there is nothing that requires more pre- cision , and , if I may so say , purity of expression , than the style I am speaking of . It utterly rejects not only all ...
... write without affectation is to write at random . the contrary , there is nothing that requires more pre- cision , and , if I may so say , purity of expression , than the style I am speaking of . It utterly rejects not only all ...
Pagina 561
... write slow : all other graces Will follow in their proper places . " You allow a writer a year to think of a subject ; he should not put you off with a truism at last . You allow him a year more to find out words for his thoughts ; he ...
... write slow : all other graces Will follow in their proper places . " You allow a writer a year to think of a subject ; he should not put you off with a truism at last . You allow him a year more to find out words for his thoughts ; he ...
Pagina 643
... write the name under this criticism , and the best answer to it is that it is true - his pictures always are the ... write a digression . If the reader is not already apprised of it , he will please to take notice that I write this at ...
... write the name under this criticism , and the best answer to it is that it is true - his pictures always are the ... write a digression . If the reader is not already apprised of it , he will please to take notice that I write this at ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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Overige edities - Alles bekijken
Selected Essays of William Hazlitt, 1778-1830 William Hazlitt,Geoffrey Keynes Geen voorbeeld beschikbaar - 2013 |
Veelvoorkomende woorden en zinsdelen
abstract absurdity admiration appearance battle of Marengo beauty better character circumstances Coleridge common contempt conversation Correggio death delight effect equally expression face fancy favour favourite feeling French French Revolution friends genius Gil Blas give habit hand Hazlitt hear heart House of Commons Hudibras human humour idea imagination impression indifference instance interest Jeremy Taylor laugh learned less live look Lord Lord Byron manner means mind Molière nature never object observation once opinion ourselves pain painting Paradise Lost pass passion perhaps person play pleasure poet poetry prejudice pretensions pride principle prose reason Rembrandt seems sense sentiment Shakespear shew sort sound speak spirit spleen style supposed talk taste things thought tion Titian Tom Jones true truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write