Selected Essays of William Hazlitt1930 |
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Pagina 474
... STYLE ( WRITTEN AFTER JULY , 1821 ) On IT is not easy to write a familiar style . Many people mistake a familiar for a vulgar style , and suppose that to write without affectation is to write at random . the contrary , there is nothing ...
... STYLE ( WRITTEN AFTER JULY , 1821 ) On IT is not easy to write a familiar style . Many people mistake a familiar for a vulgar style , and suppose that to write without affectation is to write at random . the contrary , there is nothing ...
Pagina 475
... style to express yourself by fixing your thoughts on the subject you have to write about . Any one may mouth out a passage with a theatrical cadence , or get upon stilts to tell his thoughts ; but to write or speak with propriety and ...
... style to express yourself by fixing your thoughts on the subject you have to write about . Any one may mouth out a passage with a theatrical cadence , or get upon stilts to tell his thoughts ; but to write or speak with propriety and ...
Pagina 499
... style of the Author of Waverley ( if he comes fairly into this discussion ) as mere style , is villainous . It is pretty plain he is a poet ; for the sound of names runs mechanically in his ears , and he rings the changes un ...
... style of the Author of Waverley ( if he comes fairly into this discussion ) as mere style , is villainous . It is pretty plain he is a poet ; for the sound of names runs mechanically in his ears , and he rings the changes un ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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Overige edities - Alles bekijken
Selected Essays of William Hazlitt, 1778-1830 William Hazlitt,Geoffrey Keynes Geen voorbeeld beschikbaar - 2013 |
Veelvoorkomende woorden en zinsdelen
abstract absurdity admiration appearance battle of Marengo beauty better character circumstances Coleridge common contempt conversation Correggio death delight effect equally expression face fancy favour favourite feeling French French Revolution friends genius Gil Blas give habit hand Hazlitt hear heart House of Commons Hudibras human humour idea imagination impression indifference instance interest Jeremy Taylor laugh learned less live look Lord Lord Byron manner means mind Molière nature never object observation once opinion ourselves pain painting Paradise Lost pass passion perhaps person play pleasure poet poetry prejudice pretensions pride principle prose reason Rembrandt seems sense sentiment Shakespear shew sort sound speak spirit spleen style supposed talk taste things thought tion Titian Tom Jones true truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write