Literary Criticism: An Introduction to Theory and PracticePrentice Hall, 2003 - 319 pagina's The fourth edition of the bestselling Literary Criticism: An Introduction to Theory and Practice showcases various schools of 20th century criticism in historical and philosophical contexts. New features include: - A new chapter on queer theory. - Every chapter has been revised with new introductions with appropriate new critical vocabulary, critical terms, further readings sections, and web sites. - New student essays - Structuralism and Deconstruction have been combined into one section to make the material clearer and more streamlined. - The addition of Plotinus, Giovanni Boccaccio, Joseph Addison, Percy Pysshe Shelley, and Mikhail Bakhtin. Pick a Penguin Program* We offer select Penguin Putnam titles at a substantial discount to your students when you request a special package of one or more Penguin titles with this text. Please contact your local Prentice Hall Sales Representative for more information. |
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Pagina 106
... writing . This privileging of speech over writing Derrida calls phonocentrism . In placing speech in the privileged position , phonocentrism treats writ- ing as inferior . We value , says Derrida , a speaker's words more than the ...
... writing . This privileging of speech over writing Derrida calls phonocentrism . In placing speech in the privileged position , phonocentrism treats writ- ing as inferior . We value , says Derrida , a speaker's words more than the ...
Pagina 107
... writing , with speech privileged . Consequently , speech is awarded presence , and writing is equated with absence . Since it is the infe- rior of the two , writing becomes simply the symbols of speech , a second- hand representation of ...
... writing , with speech privileged . Consequently , speech is awarded presence , and writing is equated with absence . Since it is the infe- rior of the two , writing becomes simply the symbols of speech , a second- hand representation of ...
Pagina 108
... Writing , on the other hand , assumes an absence of a speaker . Such absence can produce misunderstanding , for writing is a depersonalized medium that separates the actual utterance of the speaker and his or her audience . It is this ...
... Writing , on the other hand , assumes an absence of a speaker . Such absence can produce misunderstanding , for writing is a depersonalized medium that separates the actual utterance of the speaker and his or her audience . It is this ...
Inhoudsopgave
Defining Criticism Theory and Literature | 1 |
A Historical Survey of Literary Criticism | 16 |
New Criticism | 37 |
Copyright | |
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