Literary Criticism: An Introduction to Theory and PracticePrentice Hall, 2003 - 319 pagina's The fourth edition of the bestselling Literary Criticism: An Introduction to Theory and Practice showcases various schools of 20th century criticism in historical and philosophical contexts. New features include: - A new chapter on queer theory. - Every chapter has been revised with new introductions with appropriate new critical vocabulary, critical terms, further readings sections, and web sites. - New student essays - Structuralism and Deconstruction have been combined into one section to make the material clearer and more streamlined. - The addition of Plotinus, Giovanni Boccaccio, Joseph Addison, Percy Pysshe Shelley, and Mikhail Bakhtin. Pick a Penguin Program* We offer select Penguin Putnam titles at a substantial discount to your students when you request a special package of one or more Penguin titles with this text. Please contact your local Prentice Hall Sales Representative for more information. |
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Pagina 103
... relationship between the signifier ( the word dog , for example ) and the signified ( the concept or the reality behind the word dog ) that Saussure maintains is arbitrary and conventional . The linguistic sign is thus de- fined by ...
... relationship between the signifier ( the word dog , for example ) and the signified ( the concept or the reality behind the word dog ) that Saussure maintains is arbitrary and conventional . The linguistic sign is thus de- fined by ...
Pagina 107
... relationship between the signifier and the signified ( be- tween the spoken word cat and the concept of cat itself ) . There is , then , no innate relationship between the spoken word and the concept , object , or idea it represents ...
... relationship between the signifier and the signified ( be- tween the spoken word cat and the concept of cat itself ) . There is , then , no innate relationship between the spoken word and the concept , object , or idea it represents ...
Pagina 108
... relationship then exists between these components of the sign . For example , some kind of inscription or encoding has taken place between the spoken word cat ( the signifier ) and its concept ( the signified ) . For Derrida , both ...
... relationship then exists between these components of the sign . For example , some kind of inscription or encoding has taken place between the spoken word cat ( the signifier ) and its concept ( the signified ) . For Derrida , both ...
Inhoudsopgave
Defining Criticism Theory and Literature | 1 |
A Historical Survey of Literary Criticism | 16 |
New Criticism | 37 |
Copyright | |
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According actual American analysis applied approach asserts assumptions base become begins believe binary called complex concept concerns consciousness create cultural deconstruction define Derrida desires develop discourse discover dominant dream elements English essay examining example exists experiences female feminist Freud hand human ideas images individual interpretation John language linguistics literary criticism literary theory literature live looked male Marxist meaning methodology mind Mitty nature object operations particular philosophical pleasure principle poem Poetics poetry political position postcolonial practical present Press principles provides psyche psychoanalytic questions reader reading reality refers relationship responses rules Saussure says schools shapes signified social society sound speech story structure symbol term text's thinking thought tion truth unconscious understanding University values various voice women writing York