Studies in the Spectator Role: Literature, Painting, and PedagogyPsychology Press, 2000 - 220 pagina's Michael Benton's book develops the concept of spectatorship as an answer to these questions. It explores the similarities and differences in our experiences of literature and the visual arts, and discusses their implications for pedagogy and their applications in cross-curricular work in the classroom. Teachers will find that, while many of the visual and verbal texts may be familiar, the approaches to them offer fresh insights and a rich agenda for the classroom. Shakespeare, Fielding, Hogarth, Blake, Wordsworth, Constable, Turner, the Pre-Raphaelites, Wilfred Owen, Paul Nash, Stanley Spencer, Ted Hughes and Seamus Heaney - the range of authors and artists discussed is both extensive and relevant to the National Curriculum and to post-16 and undergraduate courses. |
Inhoudsopgave
Introduction | 1 |
The reader in the secondary world | 11 |
the selfconscious spectator | 26 |
anyone for ekphrasis? | 40 |
Henry Unton and Henry V | 53 |
Hogarth Gay and Fielding | 68 |
Drama and narrative | 85 |
Thomson and Wilson | 114 |
Overige edities - Alles bekijken
Studies in the Spectator Role: Literature, Painting and Pedagogy Michael Benton Gedeeltelijke weergave - 2017 |
Studies in the Spectator Role: Literature, Painting, and Pedagogy Michael Benton Gedeeltelijke weergave - 2000 |
Veelvoorkomende woorden en zinsdelen
aesthetic artist awareness Baskin's Beggar's Opera Benton bog poems century Chapter character child classroom colour concept Constable construct contemporary conventions created cross-curricular Crow cultural Dabydeen death depicted discussion ekphrasis experience explore fictional Fielding Fielding's Figure Fuseli's Glob's Grauballe Heaney Heaney's Henry Henry Unton Hughes Hughes's imagery imaginative innocent interpretation Iser J.M.W. Turner John Everett Millais landscape language Leonard Baskin lines literary literature London look Macbeth Marriage metaphor Millais's myth narrative Nash Nash's nature oil on canvas Owen Owen's painter painting Paul Nash photograph pictorial picture Plate play poet poetic poetry reading reflect relationship representation represented response Sandham Sandham Memorial Chapel scene secondary world sense sequence Shakespeare sister arts soldiers spectator's spectatorship stance Stanley Spencer story suggests symbolism Tate Gallery theatrical theme Thomson tion Tollund Totes Meer trickster Turner Unton verbal viewer visual arts Wilfred Owen William Hogarth Wollheim words Wordsworth