The Turning Key: Autobiography and the Subjective Impulse Since 1800Harvard University Press, 1984 - 191 pagina's |
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Pagina 21
... never loses sight of his didactic purpose . Confes- sion is good for his soul ( and for the souls of others ) —the soul that lives before and after the body and that , once free of the accidents of the flesh , loses the attributes of a ...
... never loses sight of his didactic purpose . Confes- sion is good for his soul ( and for the souls of others ) —the soul that lives before and after the body and that , once free of the accidents of the flesh , loses the attributes of a ...
Pagina 30
... never known ; that time I have never regretted . " To the growing pains of youth he distinctly prefers the satisfaction of a " vigorous matu- rity . " His career at Oxford affords evidence of the indolence and emptiness of English ...
... never known ; that time I have never regretted . " To the growing pains of youth he distinctly prefers the satisfaction of a " vigorous matu- rity . " His career at Oxford affords evidence of the indolence and emptiness of English ...
Pagina 75
... never , he insists , yielded to “ any manner of illusion or false imagination , " never been guilty , he might have said , of what he himself called " the pathetic fallacy . " Though scarcely in truth so free from illusion as he claims ...
... never , he insists , yielded to “ any manner of illusion or false imagination , " never been guilty , he might have said , of what he himself called " the pathetic fallacy . " Though scarcely in truth so free from illusion as he claims ...
Inhoudsopgave
THE UNPRECEDENTED SELF | 1 |
TOWARDS AUTOBIOGRAPHY 20 | 20 |
ELEMENTS OF AUTOBIOGRAPHY | 38 |
Copyright | |
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The Turning Key: Autobiography and the Subjective Impulse Since 1800 Jerome H. Buckley Geen voorbeeld beschikbaar - 1984 |
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achieve actual aesthetic apparently autobiography aware becomes beginning called career century character child childhood claims close concern Confessions course critic death described detail direct early emotion English essential eventually example experience fact faith father fear feelings fiction follow give heart Henry hero human identity imagination impressions individual intense Italy John late later least less Letters literary living London meaning memory Mill mind moving narrative nature never nonetheless novel objective observation once ordinary original past perhaps poem poet poetry Prelude present reader reading record regard relate religious remains remember response reveal Romantic Rousseau seeks seems self-consciousness sense setting social sort soul speaking spiritual story subjective tells things thought true truth turn University Press Victorian vision whole Wilde Wordsworth writing York young