The Turning Key: Autobiography and the Subjective Impulse Since 1800Harvard University Press, 1984 - 191 pagina's |
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Pagina 3
... literary material , and the first , begin- ning with the Romantics , to write a great deal subjec- tively — that is , as Coleridge suggested , either of the self directly or of psychological states and values understood by self ...
... literary material , and the first , begin- ning with the Romantics , to write a great deal subjec- tively — that is , as Coleridge suggested , either of the self directly or of psychological states and values understood by self ...
Pagina 8
... literary work , its realized integrity as an object in itself determines much of its quality and enduring impact . But in their formalism they too often forgot that a poem could mean as well as be- and mean in a larger comparative ...
... literary work , its realized integrity as an object in itself determines much of its quality and enduring impact . But in their formalism they too often forgot that a poem could mean as well as be- and mean in a larger comparative ...
Pagina 57
... literary medium , steeped in a literary tradition , and prepared at times even to confuse the actual and the imagined and so to lend remembered expe- rience a " texture midway between life and books . ” In Wordsworth's psychology the ...
... literary medium , steeped in a literary tradition , and prepared at times even to confuse the actual and the imagined and so to lend remembered expe- rience a " texture midway between life and books . ” In Wordsworth's psychology the ...
Inhoudsopgave
THE UNPRECEDENTED SELF | 1 |
TOWARDS AUTOBIOGRAPHY 20 | 20 |
ELEMENTS OF AUTOBIOGRAPHY | 38 |
Copyright | |
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The Turning Key: Autobiography and the Subjective Impulse Since 1800 Jerome H. Buckley Geen voorbeeld beschikbaar - 1984 |
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achieve actual aesthetic apparently autobiography aware becomes beginning called career century character child childhood claims close concern Confessions course critic death described detail direct early emotion English essential eventually example experience fact faith father fear feelings fiction follow give heart Henry hero human identity imagination impressions individual intense Italy John late later least less Letters literary living London meaning memory Mill mind moving narrative nature never nonetheless novel objective observation once ordinary original past perhaps poem poet poetry Prelude present reader reading record regard relate religious remains remember response reveal Romantic Rousseau seeks seems self-consciousness sense setting social sort soul speaking spiritual story subjective tells things thought true truth turn University Press Victorian vision whole Wilde Wordsworth writing York young