The Turning Key: Autobiography and the Subjective Impulse Since 1800Harvard University Press, 1984 - 191 pagina's |
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Pagina 30
... human heart . " At the outset he claims for his personal history a “ naked unblushing truth , " though his method , as he proceeds , entails a careful selection of true details upon which he may base Gibbonian generalizations about human ...
... human heart . " At the outset he claims for his personal history a “ naked unblushing truth , " though his method , as he proceeds , entails a careful selection of true details upon which he may base Gibbonian generalizations about human ...
Pagina 53
... human soul suddenly overwhelmed me . . . . Within five minutes I went through some such reflections as the following : the loneliness of the human soul is unendurable ; nothing can penetrate it except the highest intensity of the sort ...
... human soul suddenly overwhelmed me . . . . Within five minutes I went through some such reflections as the following : the loneliness of the human soul is unendurable ; nothing can penetrate it except the highest intensity of the sort ...
Pagina 71
... human vision . The truth to nature he seeks is an aesthetic realism , a respect for intricate line and color , as in his own close drawings of stratified rocks or curling tendrils . Ruskin's preference of things actually seen to formal ...
... human vision . The truth to nature he seeks is an aesthetic realism , a respect for intricate line and color , as in his own close drawings of stratified rocks or curling tendrils . Ruskin's preference of things actually seen to formal ...
Inhoudsopgave
THE UNPRECEDENTED SELF | 1 |
TOWARDS AUTOBIOGRAPHY 20 | 20 |
ELEMENTS OF AUTOBIOGRAPHY | 38 |
Copyright | |
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The Turning Key: Autobiography and the Subjective Impulse Since 1800 Jerome H. Buckley Geen voorbeeld beschikbaar - 1984 |
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achieve actual aesthetic apparently autobiography aware becomes beginning called career century character child childhood claims close concern Confessions course critic death described detail direct early emotion English essential eventually example experience fact faith father fear feelings fiction follow give heart Henry hero human identity imagination impressions individual intense Italy John late later least less Letters literary living London meaning memory Mill mind moving narrative nature never nonetheless novel objective observation once ordinary original past perhaps poem poet poetry Prelude present reader reading record regard relate religious remains remember response reveal Romantic Rousseau seeks seems self-consciousness sense setting social sort soul speaking spiritual story subjective tells things thought true truth turn University Press Victorian vision whole Wilde Wordsworth writing York young