The Turning Key: Autobiography and the Subjective Impulse Since 1800Harvard University Press, 1984 - 191 pagina's |
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Pagina 33
... heart , " which neither age , / Nor tears , nor infamy , nor now the tomb / Could temper to its object . " 22 Though now probably Rousseau's best known work , the Confessions must still compete for attention with our general knowledge ...
... heart , " which neither age , / Nor tears , nor infamy , nor now the tomb / Could temper to its object . " 22 Though now probably Rousseau's best known work , the Confessions must still compete for attention with our general knowledge ...
Pagina 122
... heart . " 12 The deepest subjectivity lies in his fascination with the functioning of memory , the resurgence and reenactment of the past . David more than recollects the scene of Annie Strong's declaration of fidelity : " I see and ...
... heart . " 12 The deepest subjectivity lies in his fascination with the functioning of memory , the resurgence and reenactment of the past . David more than recollects the scene of Annie Strong's declaration of fidelity : " I see and ...
Pagina 142
... heart Stood up and answered , “ I have felt . " And it also provides a basis for faith in the value and con- tinuity of a selfhood , strong though disciplined — as the last section before the epilogue insists , a " faith that comes of ...
... heart Stood up and answered , “ I have felt . " And it also provides a basis for faith in the value and con- tinuity of a selfhood , strong though disciplined — as the last section before the epilogue insists , a " faith that comes of ...
Inhoudsopgave
THE UNPRECEDENTED SELF | 1 |
TOWARDS AUTOBIOGRAPHY 20 | 20 |
ELEMENTS OF AUTOBIOGRAPHY | 38 |
Copyright | |
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The Turning Key: Autobiography and the Subjective Impulse Since 1800 Jerome H. Buckley Geen voorbeeld beschikbaar - 1984 |
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achieve actual aesthetic apparently autobiography aware becomes beginning called career century character child childhood claims close concern Confessions course critic death described detail direct early emotion English essential eventually example experience fact faith father fear feelings fiction follow give heart Henry hero human identity imagination impressions individual intense Italy John late later least less Letters literary living London meaning memory Mill mind moving narrative nature never nonetheless novel objective observation once ordinary original past perhaps poem poet poetry Prelude present reader reading record regard relate religious remains remember response reveal Romantic Rousseau seeks seems self-consciousness sense setting social sort soul speaking spiritual story subjective tells things thought true truth turn University Press Victorian vision whole Wilde Wordsworth writing York young