The Turning Key: Autobiography and the Subjective Impulse Since 1800Harvard University Press, 1984 - 191 pagina's |
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Pagina 103
... aesthetic autonomy and his release from moral and social concern . By the end , when his " exquisitely hypocritical reader " is asked , ironically no doubt , to accept the short and frag- mentary record as " this long narrative of a ...
... aesthetic autonomy and his release from moral and social concern . By the end , when his " exquisitely hypocritical reader " is asked , ironically no doubt , to accept the short and frag- mentary record as " this long narrative of a ...
Pagina 159
... aesthetic traditions . It frequently consists of unlikely configurations or enigmatic vacancies : a torn canvas tacked to a barn board , an empty frame , a reputedly buried sculpture , random strings criss- crossing an egg - crate , a ...
... aesthetic traditions . It frequently consists of unlikely configurations or enigmatic vacancies : a torn canvas tacked to a barn board , an empty frame , a reputedly buried sculpture , random strings criss- crossing an egg - crate , a ...
Pagina 183
... aesthetic uses of personal materials in Lowell , Elizabeth Bishop , James Merrill , Adrienne Rich , and John Ashbery . Maxine Kumin , on the other hand , introducing the collected poems of Anne Sexton , gladly accepts the label : " Of ...
... aesthetic uses of personal materials in Lowell , Elizabeth Bishop , James Merrill , Adrienne Rich , and John Ashbery . Maxine Kumin , on the other hand , introducing the collected poems of Anne Sexton , gladly accepts the label : " Of ...
Inhoudsopgave
THE UNPRECEDENTED SELF | 1 |
TOWARDS AUTOBIOGRAPHY 20 | 20 |
ELEMENTS OF AUTOBIOGRAPHY | 38 |
Copyright | |
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The Turning Key: Autobiography and the Subjective Impulse Since 1800 Jerome H. Buckley Geen voorbeeld beschikbaar - 1984 |
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