Modernism: An Anthology of Sources and DocumentsUniversity of Chicago Press, 1998 - 632 pagina's From Bauhaus to Dada, from Virginia Woolf to John Dos Passos, the Modernist movement revolutionized the way we perceive, portray, and participate in the world. This landmark anthology is a comprehensive documentary resource for the study of Modernism, bringing together more than 150 key essays, articles, manifestos, and other writings of the political and aesthetic avant-garde between 1840 and 1950. By favoring short extracts over lengthier originals, the editors cover a remarkable range and variety of modernist thinking. Included are not just the familiar high modernist landmarks such as Gustave Flaubert, Ezra Pound, and James Joyce, but also a diverse representation from the sciences, politics, philosophy, and the arts, including Charles Darwin, Thorstein Veblen, W. E. B. Du Bois, Isadora Duncan, John Reed, Adolf Hitler, and Sergei Eisenstein. Another welcome feature is a substantial selection of hard-to-find manifestos from the many modernist movements, among them futurism, cubism, Dada, surrealism, and anarchism. |
Inhoudsopgave
V | 5 |
VII | 6 |
VIII | 8 |
IX | 10 |
XI | 12 |
XII | 17 |
XIV | 22 |
XVI | 27 |
CXXXIX | 301 |
CXL | 302 |
CXLII | 303 |
CXLIII | 304 |
CXLIV | 305 |
CXLV | 307 |
CXLVII | 312 |
CXLVIII | 315 |
XVIII | 31 |
XIX | 33 |
XX | 36 |
XXII | 38 |
XXIV | 41 |
XXVI | 47 |
XXVIII | 51 |
XXX | 60 |
XXXII | 65 |
XXXIII | 68 |
XXXV | 72 |
XXXVI | 77 |
XXXVIII | 81 |
XL | 83 |
XLI | 85 |
XLIII | 87 |
XLV | 91 |
XLVI | 93 |
XLVIII | 94 |
L | 97 |
LII | 98 |
LIV | 102 |
LVI | 109 |
LVIII | 111 |
LX | 112 |
LXII | 115 |
LXIII | 119 |
LXV | 120 |
LXVI | 123 |
LXVIII | 127 |
LXX | 129 |
LXXI | 131 |
LXXIII | 134 |
LXXV | 136 |
LXXVI | 140 |
LXXVII | 145 |
LXXIX | 147 |
LXXX | 150 |
LXXXII | 154 |
LXXXIII | 160 |
LXXXIV | 165 |
LXXXV | 167 |
LXXXVI | 169 |
XC | 174 |
XCI | 178 |
XCII | 185 |
XCIII | 189 |
XCIV | 192 |
XCVI | 194 |
XCVII | 198 |
XCVIII | 200 |
XCIX | 201 |
CI | 207 |
CIII | 211 |
CIV | 214 |
CVI | 217 |
CVII | 221 |
CIX | 223 |
CXI | 225 |
CXIII | 229 |
CXIV | 232 |
CXVI | 237 |
CXVIII | 238 |
CXIX | 240 |
CXXI | 242 |
CXXIII | 247 |
CXXIV | 249 |
CXXV | 257 |
CXXVI | 258 |
CXXVII | 262 |
CXXVIII | 268 |
CXXIX | 270 |
CXXX | 276 |
CXXXI | 281 |
CXXXII | 287 |
CXXXIII | 291 |
CXXXIV | 295 |
CXXXVI | 298 |
CXXXVII | 299 |
CXLIX | 317 |
CL | 319 |
CLII | 321 |
CLIV | 323 |
CLVI | 331 |
CLVII | 333 |
CLIX | 334 |
CLXI | 337 |
CLXII | 342 |
CLXIV | 344 |
CLXV | 351 |
CLXVII | 354 |
CLXIX | 357 |
CLXXI | 362 |
CLXXII | 364 |
CLXXIV | 366 |
CLXXV | 373 |
CLXXVI | 382 |
CLXXVII | 386 |
CLXXVIII | 388 |
CLXXX | 391 |
CLXXXI | 397 |
CLXXXIII | 399 |
CLXXXV | 401 |
CLXXXVII | 403 |
CLXXXIX | 405 |
CXCI | 411 |
CXCIII | 417 |
CXCV | 421 |
CXCVII | 425 |
CXCVIII | 429 |
CC | 433 |
CCI | 439 |
CCII | 443 |
CCIV | 448 |
CCVI | 449 |
CCVII | 455 |
CCVIII | 457 |
CCIX | 461 |
CCX | 465 |
CCXII | 470 |
CCXIII | 472 |
CCXV | 477 |
CCXVI | 479 |
CCXVII | 485 |
CCXVIII | 488 |
CCXX | 493 |
CCXXII | 496 |
CCXXIV | 502 |
CCXXVII | 504 |
CCXXIX | 508 |
CCXXX | 513 |
CCXXXII | 518 |
CCXXXIV | 523 |
CCXXXVI | 524 |
CCXXXVII | 526 |
CCXXXIX | 529 |
CCXLI | 530 |
CCXLIII | 536 |
CCXLIV | 539 |
CCXLV | 542 |
CCXLVII | 545 |
CCXLIX | 548 |
CCL | 551 |
CCLII | 556 |
CCLIII | 560 |
CCLIV | 563 |
CCLV | 577 |
CCLVIII | 584 |
CCLX | 591 |
CCLXII | 595 |
CCLXIV | 597 |
CCLXV | 601 |
CCLXVII | 605 |
CCLXVIII | 610 |
CCLXX | 617 |
CCLXXII | 619 |
623 | |
Overige edities - Alles bekijken
Modernism: An Anthology of Sources and Documents Vassiliki Kolocotroni,Jane Goldman,Olga Taxidou Fragmentweergave - 1998 |
Modernism: An Anthology of Sources and Documents Vassiliki Kolocotroni Geen voorbeeld beschikbaar - 1998 |
Modernism: An Anthology of Sources and Documents Vassiliki Kolocotroni,Jane Goldman,Olga Taxidou Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
abstract aesthetic American appear artist Bauhaus beauty become bourgeois Communist conception consciousness contemporary create critic Cubism culture D. H. Lawrence Dada Dadaists dream E. M. Forster elements emotion English essay everything existence experience expression Ezra Pound fact feeling following extracts force German give human idea ideal images imagination Imagist Impressionism individual intellectual James Joyce Joyce language literary literature living manifesto mass means mind modern Modernist moral movement nature Negro never novel novelist object painters painting perhaps person philosophy poem poet poetic poetry political Post-Impressionist present produce prose published reader reality reproduced revolution revolutionary rhythm Richard Aldington romanticism seems sense social society soul spirit stage super-ego Surrealism Surrealist symbols T. S. Eliot theatre theory things thought tradition translated truth unconscious verse W. B. Yeats whole woman words writer Wyndham Lewis
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