Selected Essays of William Hazlitt, 1778-1830Nonesuch Press, 1948 - 807 pagina's |
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Pagina xii
... painting of his first picture is described in the essay “ On the Pleasure of Painting , " and also the portrait of his father , which was exhibited at Somerset House in 1802. In this year he visited Paris , his chief objective being the ...
... painting of his first picture is described in the essay “ On the Pleasure of Painting , " and also the portrait of his father , which was exhibited at Somerset House in 1802. In this year he visited Paris , his chief objective being the ...
Pagina 398
... painting and poetry . I do not mean to give any preference , but it should seem that the argument which has been sometimes set up , that painting must affect the imagination more strongly , because it represents the image more ...
... painting and poetry . I do not mean to give any preference , but it should seem that the argument which has been sometimes set up , that painting must affect the imagination more strongly , because it represents the image more ...
Pagina 614
William Hazlitt Geoffrey Keynes. 46 PAINTING ( LONDON MAGAZINE , DEC . , 1820 ) 66 ' THERE is a pleasure in painting which none but painters know . " In writing , you have to contend with the world ; in painting , you have only to carry ...
William Hazlitt Geoffrey Keynes. 46 PAINTING ( LONDON MAGAZINE , DEC . , 1820 ) 66 ' THERE is a pleasure in painting which none but painters know . " In writing , you have to contend with the world ; in painting , you have only to carry ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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abstract admiration appearance beauty better Burke caput mortuum character Coleridge colour common conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel manner means mind Molière nature Nether Stowey never object opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt round seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought tion Titian Tom Jones truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write