Selected Essays of William Hazlitt, 1778-1830 |
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Pagina 251
The expression of the face wounds me more than the expressions of the tongue . If I have in one instance mistaken this expression , or resorted to this remedy where I ought not , I am sorry for it . But the face was too fine over which ...
The expression of the face wounds me more than the expressions of the tongue . If I have in one instance mistaken this expression , or resorted to this remedy where I ought not , I am sorry for it . But the face was too fine over which ...
Pagina 611
His faces have no other expression than his figures , conscious power and capacity . ... That is , the gusto of Michael Angelo consists in expressing energy of will without proportionable sensibility , Correggio's in expressing ...
His faces have no other expression than his figures , conscious power and capacity . ... That is , the gusto of Michael Angelo consists in expressing energy of will without proportionable sensibility , Correggio's in expressing ...
Pagina 612
Raphael's gusto was only in expression ; he had no idea of the character of anything but the human form . The dryness and poverty of his style in other respects is a phenomenon in the art . His trees are like sprigs of grass stuck in a ...
Raphael's gusto was only in expression ; he had no idea of the character of anything but the human form . The dryness and poverty of his style in other respects is a phenomenon in the art . His trees are like sprigs of grass stuck in a ...
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Inhoudsopgave
On the Love of the Country | 3 |
On the Ignorance of the Learned | 13 |
On Living to Onesself | 24 |
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admiration answer appearance beauty become better called character circumstances common conversation critic death delight effect English equally expect expression face fancy feeling French friends genius give hand head hear heart hope human idea imagination impression instance interest keep knowledge laugh learned least leave less light live look manner matter means mind nature never object observation once opinion original ourselves pain painting pass passion perhaps person picture play pleasure poet poetry present principle question reason respect round seems seen sense side sort sound speak spirit stand style supposed talk taste things thought tion true truth turn understanding virtue whole wish write