Selected Essays of William Hazlitt, 1778-1830Nonesuch Press, 1948 - 807 pagina's |
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Pagina xiv
... critic . As a dramatic critic he rapidly came to have considerable influence upon contemporary opinion of the theatre , and five years later he published his collected criticisms in the View of the English Stage , the pages of which ...
... critic . As a dramatic critic he rapidly came to have considerable influence upon contemporary opinion of the theatre , and five years later he published his collected criticisms in the View of the English Stage , the pages of which ...
Pagina xxi
... criticism is an example of the sureness of his judgment , and , except for his remark- able lapse in placing ... critic , historian , literary critic , and journalist . The sections into which the selection is roughly divided do not form ...
... criticism is an example of the sureness of his judgment , and , except for his remark- able lapse in placing ... critic , historian , literary critic , and journalist . The sections into which the selection is roughly divided do not form ...
Pagina 767
... critic insists on the profusion of crucifixes , glories , angelic visions , garlands of roses , and clouds of incense ... criticism , and may be thought illiberal . But as Mr. Gifford assumes a right to say what he pleases of others ...
... critic insists on the profusion of crucifixes , glories , angelic visions , garlands of roses , and clouds of incense ... criticism , and may be thought illiberal . But as Mr. Gifford assumes a right to say what he pleases of others ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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abstract admiration appearance beauty better Burke caput mortuum character Coleridge colour common conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel manner means mind Molière nature Nether Stowey never object opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt round seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought tion Titian Tom Jones truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write