Discourse on Hamlet and Hamlet: A Psychoanalytic Inquiry |
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Pagina 81
( 3 ) It is possible by thorough analysis to reveal the paradoxical consistency
underlying the hidden inconsistencies — a consistency that is far beyond and
altogether extrinsic to problems of stage effects . 61 59 Bridges ( 1927 , p . 16 )
writes ...
( 3 ) It is possible by thorough analysis to reveal the paradoxical consistency
underlying the hidden inconsistencies — a consistency that is far beyond and
altogether extrinsic to problems of stage effects . 61 59 Bridges ( 1927 , p . 16 )
writes ...
Pagina 218
She writes : " The Ghost ' s challenge has fallen on receptive ears . . . He has
decided to act ” ( p . 171 ) . Against this , one has to say that Hamlet ' s ears were
far more receptive to the Ghost ' s challenge at the time of the first meeting with
him ...
She writes : " The Ghost ' s challenge has fallen on receptive ears . . . He has
decided to act ” ( p . 171 ) . Against this , one has to say that Hamlet ' s ears were
far more receptive to the Ghost ' s challenge at the time of the first meeting with
him ...
Pagina 223
Be that as it may , when Goddard writes : “ Loyalty to his father and the desire to
grow unto himself - thirst for revenge and thirst for creation — are in Hamlet
almost in equilibrium , though of course he does not know it , ” and “ Hamlet ' s
delay ...
Be that as it may , when Goddard writes : “ Loyalty to his father and the desire to
grow unto himself - thirst for revenge and thirst for creation — are in Hamlet
almost in equilibrium , though of course he does not know it , ” and “ Hamlet ' s
delay ...
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Inhoudsopgave
AN ANALYTIC VIEW OF SOME | 155 |
Internalization and Appersonation | 253 |
Difficulties in the Symbolic Interpretation of Literary | 287 |
Copyright | |
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able accepted according action actually appearance artistic asserts audience become believe Caliban called carry character Christian Claudius course created critics death doubt dream effect elements Elizabethan emotions existence experience explain expression fact father feel final forces Fortinbras Freud function further genius Ghost Hamlet historical human idea instance interpretation Italy killing King Laertes later lead least lines literary live madness man's matter meaning mind mother myth nature never object observed once Ophelia perhaps person play possible present probably problem Prospero psychoanalytic psychological question reality reason reference regard remains scene seems sense Shakespeare society soliloquy speak stage structure suffering suggest sure symbolic taken theory thought tion tragedy true truth turn unconscious understanding wish writes