Discourse on Hamlet and Hamlet: A Psychoanalytic InquiryInternational Universities Press, 1971 - 656 pagina's |
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Pagina 55
... stage , we tend to display attitudes that are comparable to those we show toward dreams . In a dream , we usually accept the product of our nocturnal men- tal life as true reality . Similarly , under optimal conditions we accept the ...
... stage , we tend to display attitudes that are comparable to those we show toward dreams . In a dream , we usually accept the product of our nocturnal men- tal life as true reality . Similarly , under optimal conditions we accept the ...
Pagina 81
... stage effects . ( 2 ) The effect of the play is , if anything , even greater when it is read than when it is seen on a stage . ( 3 ) It is possible by thorough analysis to reveal the paradoxical con- sistency underlying the hidden ...
... stage effects . ( 2 ) The effect of the play is , if anything , even greater when it is read than when it is seen on a stage . ( 3 ) It is possible by thorough analysis to reveal the paradoxical con- sistency underlying the hidden ...
Pagina 253
... stage effects can be noted rather readily , as well as his delight in making full use of the possibilities offered him by various aspects of stage mechanics . But by the time he reached the heights of his creative power , he seems to ...
... stage effects can be noted rather readily , as well as his delight in making full use of the possibilities offered him by various aspects of stage mechanics . But by the time he reached the heights of his creative power , he seems to ...
Inhoudsopgave
AN ANALYTIC VIEW OF SOME | 155 |
Limitations of the Historical View | 181 |
Two Consistent Character Profiles | 202 |
Copyright | |
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able accepted action actually analysis appearance aroused artistic asserts audience become believe Book of Judges Caliban character Christian Claudius clinical conflict course created creative crime critics death doubt dream effect ego psychology Elizabethan emotions explain external fact fantasy father feel Fortinbras Freud function genius Ghost Goethe hamartia Hamlet Hecuba historical Horatio human incest interpretation killing King Laertes later literary Madariaga madness man's marriage meaning mind Miss Prosser Montaigne mother murder myth never object observed oedipal Oedipus complex Ophelia perhaps person playwright Polonius possible present problem Prof Prospero psychic psychoanalytic psychological question reality reason reference regard relationship repressed revenge Romeo Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays soliloquy speak speare's spectator stage structure superego symbolic Tempest theory tion tragedy true truth unconscious understanding Ur-Hamlet wish words