Discourse on Hamlet and Hamlet: A Psychoanalytic Inquiry |
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Pagina 180
The play - within - a - play in this case is a question that the playwright poses , a
question that is directed toward external reality . This is strange . We usually think
of a work of art as an attempt to suggest or propose an answer , an attempt to ...
The play - within - a - play in this case is a question that the playwright poses , a
question that is directed toward external reality . This is strange . We usually think
of a work of art as an attempt to suggest or propose an answer , an attempt to ...
Pagina 212
As a secondary consideration , Hamlet raises the question of his own death ,
insofar as it is highly probable that he will be killed in his effort to take revenge ( p
. 164 ) . In lingering over that theme , he recalls his nightmares and concludes
that it ...
As a secondary consideration , Hamlet raises the question of his own death ,
insofar as it is highly probable that he will be killed in his effort to take revenge ( p
. 164 ) . In lingering over that theme , he recalls his nightmares and concludes
that it ...
Pagina 552
question directed to the world , whose response will have a decisive effect upon
the questioner ' s fate . In Elizabethan language the question was : “ Was it a
godly or a devilish ghost ? ” Translated into the modern jargon , it amounts to a
sort ...
question directed to the world , whose response will have a decisive effect upon
the questioner ' s fate . In Elizabethan language the question was : “ Was it a
godly or a devilish ghost ? ” Translated into the modern jargon , it amounts to a
sort ...
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Inhoudsopgave
AN ANALYTIC VIEW OF SOME | 155 |
Internalization and Appersonation | 253 |
Difficulties in the Symbolic Interpretation of Literary | 287 |
Copyright | |
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able accepted according action actually appearance artistic asserts audience become believe Caliban called carry character Christian Claudius course created critics death doubt dream effect elements Elizabethan emotions existence experience explain expression fact father feel final forces Fortinbras Freud function further genius Ghost Hamlet historical human idea instance interpretation Italy killing King Laertes later lead least lines literary live madness man's matter meaning mind mother myth nature never object observed once Ophelia perhaps person play possible present probably problem Prospero psychoanalytic psychological question reality reason reference regard remains scene seems sense Shakespeare society soliloquy speak stage structure suffering suggest sure symbolic taken theory thought tion tragedy true truth turn unconscious understanding wish writes