Discourse on Hamlet and Hamlet: A Psychoanalytic InquiryInternational Universities Press, 1971 - 656 pagina's |
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Pagina 134
... king , " enters and kills the Player King by pouring poison into his ear , whereupon Hamlet adds to the text the observation that the nephew will win the love of the Player Queen ( III.2.267 ) . That is all the spectator is told in the ...
... king , " enters and kills the Player King by pouring poison into his ear , whereupon Hamlet adds to the text the observation that the nephew will win the love of the Player Queen ( III.2.267 ) . That is all the spectator is told in the ...
Pagina 222
... King " ( 1951 , Vol . 1 , p . 336 ) , and that " only on the assumption that Hamlet ought not to have killed the King can the play be fitted into what then becomes the unbroken progression of Shakespeare's spiritual develop- ment ...
... King " ( 1951 , Vol . 1 , p . 336 ) , and that " only on the assumption that Hamlet ought not to have killed the King can the play be fitted into what then becomes the unbroken progression of Shakespeare's spiritual develop- ment ...
Pagina 570
... King who , to all ap- pearances , has lost his son . He is something of a Pollyanna type , one who is most ready to discover Providence in all sorts of happenings — a question to be taken up later . Gonzalo's famous speech is meant in ...
... King who , to all ap- pearances , has lost his son . He is something of a Pollyanna type , one who is most ready to discover Providence in all sorts of happenings — a question to be taken up later . Gonzalo's famous speech is meant in ...
Inhoudsopgave
AN ANALYTIC VIEW OF SOME | 155 |
Limitations of the Historical View | 181 |
Two Consistent Character Profiles | 202 |
Copyright | |
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able accepted action actually analysis appearance aroused artistic asserts audience become believe Book of Judges Caliban character Christian Claudius clinical conflict course created creative crime critics death doubt dream effect ego psychology Elizabethan emotions explain external fact fantasy father feel Fortinbras Freud function genius Ghost Goethe hamartia Hamlet Hecuba historical Horatio human incest interpretation killing King Laertes later literary Madariaga madness man's marriage meaning mind Miss Prosser Montaigne mother murder myth never object observed oedipal Oedipus complex Ophelia perhaps person playwright Polonius possible present problem Prof Prospero psychic psychoanalytic psychological question reality reason reference regard relationship repressed revenge Romeo Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays soliloquy speak speare's spectator stage structure superego symbolic Tempest theory tion tragedy true truth unconscious understanding Ur-Hamlet wish words