Offensive Films

Voorkant
Vanderbilt University Press, 2005 - 205 pagina's
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Brottman offers up a study of movies so offensive, some are practically unwatchable. From the ever-popular Faces of Death movies to purported snuff films, from classic B-movies such as The Tingler, to more popular but no less controversial films such as The Texas Chainsaw Massacre, Brottman takes a wide-eyed look at movies most folks watch only through parted fingers.





While most critics have been quick to dismiss such films as mere shock-fests (if they even bother to talk about them at all), Brottman argues that these movies tell us quite a bit about who we are as a society, what makes us anxious, and what taboos we truly believe cannot be crossed. Part anthropology, part psychoanalysis, Offensive Films vivisects these movies in order to figure out just what about them is so offensive, obscene, or bizarre. In the end, Brottman proves that these films, shunned from the cinematic canon, work on us in sophisticated ways we often choose to remain unaware of.

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Inhoudsopgave

Carnivalizing the Taboo
15
The Terror of The Tingler
50
There Never Was a Party Like This
67
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Over de auteur (2005)

Mikita Brottman is Professor in the Department of Language, Literature and Culture at the Maryland Institute College of Art. She is the author of Car Crash Culture (Palgrave Macmillan, 2002) and Funny Peculiar: Gershon Legman and the Psychopathology of Humor (Analytic Press, 2004), among other books.

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