Love and Society in Shakespearean Comedy: A Study of Dramatic Form and ContentUniversity of Delaware Press, 1985 - 203 pagina's This book is about three of Shakespeare's comedies, The Merchant of Venice, Much Ado About Nothing, and Twelfth Night. The author discusses them as expressions of a single theory of comedy -- that is, that every element of these plays contributes to an anti-romantic interpretation -- and he interprets them only in light of this anti-romantic theory. |
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Pagina 17
... early critics did not often pause to make finer discriminations . Yet these writers occasionally noted the plight of outsiders and marginal characters . The Merchant of Venice was first entered in the Stationers ' Register in 1598 with ...
... early critics did not often pause to make finer discriminations . Yet these writers occasionally noted the plight of outsiders and marginal characters . The Merchant of Venice was first entered in the Stationers ' Register in 1598 with ...
Pagina 19
... early remarks on the emotional structure of Shake- speare's plays should indeed turn to Morgann's " An Essay on the ... earliest times to the present ? Some critics imply an answer by seeking to integrate the countervailing tendencies in ...
... early remarks on the emotional structure of Shake- speare's plays should indeed turn to Morgann's " An Essay on the ... earliest times to the present ? Some critics imply an answer by seeking to integrate the countervailing tendencies in ...
Pagina 171
... early stage of the composition of Othello . " Jones offers other parallels as well . For example , both plays portray " soldiers in peace - time ” ; the social setting of Much Ado , the implied setting of Othello , is " talkative ...
... early stage of the composition of Othello . " Jones offers other parallels as well . For example , both plays portray " soldiers in peace - time ” ; the social setting of Much Ado , the implied setting of Othello , is " talkative ...
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A. C. Bradley accept antiromantic Antonio appear asks audience Bassanio Beatrice and Benedick Beatrice's Belmont Borachio brother casket Cesario characters Christian court courtroom critics death describes desire Don John Don Pedro duke duke's E. K. Chambers Elizabethan evil example Fabian father feel Feste Feste's festive fool fortune gives Gratiano Hero Hero's hints household husband Iago Illyria implies interest interpretation Jessica John's knows lady Launcelot Lear leave Leggatt Leonato London Lorenzo Malvolio Margaret Maria marriage marry Merchant of Venice Messina moral Morocco motives Nerissa Nevertheless offer Olivia Othello Pedro and Claudio perhaps play plot Portia prince problem comedies question remarks response reveals romantic comedy Salerio and Solanio says scene Sebastian seems Shakespeare Shakespeare's Comedies shows Shylock Sir Andrew Sir Toby Sir Toby's social society song Sonnet speaks suggests suitors tells thee thou tion Twelfth Night University Press Venetian Viola wealth woman words