Love and Society in Shakespearean Comedy: A Study of Dramatic Form and ContentUniversity of Delaware Press, 1985 - 203 pagina's This book is about three of Shakespeare's comedies, The Merchant of Venice, Much Ado About Nothing, and Twelfth Night. The author discusses them as expressions of a single theory of comedy -- that is, that every element of these plays contributes to an anti-romantic interpretation -- and he interprets them only in light of this anti-romantic theory. |
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Pagina 140
... audience responded to a late - eighteenth - century production . And Lamb sees that Malvolio does not have audience sympathy at first ; contrary to all expectations , when Malvolio fills with the conceit of self - love , he suddenly ...
... audience responded to a late - eighteenth - century production . And Lamb sees that Malvolio does not have audience sympathy at first ; contrary to all expectations , when Malvolio fills with the conceit of self - love , he suddenly ...
Pagina 162
... audience that Feste profanes the clerical function ( see 4.2.64-65 ) . In any case , he picks up where Sir Toby and Maria have left off and tries to convince Malvolio that he is possessed by the devil . Malvolio , however , adheres to ...
... audience that Feste profanes the clerical function ( see 4.2.64-65 ) . In any case , he picks up where Sir Toby and Maria have left off and tries to convince Malvolio that he is possessed by the devil . Malvolio , however , adheres to ...
Pagina 163
... audience as he patronized Orsino and Olivia and the others ; he implies that we - his privileged audience - do not want to hear his darker truths . One should answer that these truths are his , not ours . The audience has already begun ...
... audience as he patronized Orsino and Olivia and the others ; he implies that we - his privileged audience - do not want to hear his darker truths . One should answer that these truths are his , not ours . The audience has already begun ...
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Veelvoorkomende woorden en zinsdelen
A. C. Bradley accept antiromantic Antonio appear asks audience Bassanio Beatrice and Benedick Beatrice's Belmont Borachio brother casket Cesario characters Christian court courtroom critics death describes desire Don John Don Pedro duke duke's E. K. Chambers Elizabethan evil example Fabian father feel Feste Feste's festive fool fortune gives Gratiano Hero Hero's hints household husband Iago Illyria implies interest interpretation Jessica John's knows lady Launcelot Lear leave Leggatt Leonato London Lorenzo Malvolio Margaret Maria marriage marry Merchant of Venice Messina moral Morocco motives Nerissa Nevertheless offer Olivia Othello Pedro and Claudio perhaps play plot Portia prince problem comedies question remarks response reveals romantic comedy Salerio and Solanio says scene Sebastian seems Shakespeare Shakespeare's Comedies shows Shylock Sir Andrew Sir Toby Sir Toby's social society song Sonnet speaks suggests suitors tells thee thou tion Twelfth Night University Press Venetian Viola wealth woman words