Reading, Writing, and Romanticism: The Anxiety of ReceptionOUP Oxford, 5 okt 2000 - 397 pagina's Reading, Writing, and Romanticism bridges a perceived gulf between materialist and idealist approaches to the reader. Informed by an historical awareness of Romantic hermeneutics and its later developments (as well as by an understanding of the circumstances conditioning the production and consumption of literature in this period), the book explores how readers are imagined, addressed, figured and theorised in Romantic poetry and criticism (1790-1830). Models of canon-formation, intertextuality and reader-response are examined alongside the existence of reading-coteries, the social practices of reading, and reforms in copyright. Consideration is given to the philosophical and ideological influences which bear upon the status of reading at this time, as well as to the educational theories and practices which underpin reading-habits. Non-canonical writers are included, and special attention is given to the emergence of women's poetry - its repercussions for the poetics of reception. |
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... Politics V. The Politics of Sympathy VI . The Reception of Eighteen Hundred and Eleven PART II : CROSSINGS ON THE CREATIVE - CRITICAL DIVIDE 117 124 134 137 145 151 155 160 164 5. COMPETITION AND COLLABORATION IN PERIODICAL CULTURE 173 ...
... Politics V. The Politics of Sympathy VI . The Reception of Eighteen Hundred and Eleven PART II : CROSSINGS ON THE CREATIVE - CRITICAL DIVIDE 117 124 134 137 145 151 155 160 164 5. COMPETITION AND COLLABORATION IN PERIODICAL CULTURE 173 ...
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... Political Discourse 263 263 269 272 280 284 VI . Canon - Formation , Connectiveness , and Recuperation 289 8. THE ... Politics of Reading Aloud 355 IV . Speech - Writing , Prose - Poetry , Public - Private 360 Bibliography Index 372 391 ...
... Political Discourse 263 263 269 272 280 284 VI . Canon - Formation , Connectiveness , and Recuperation 289 8. THE ... Politics of Reading Aloud 355 IV . Speech - Writing , Prose - Poetry , Public - Private 360 Bibliography Index 372 391 ...
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Inhoudsopgave
THE SENSE OF AN AUDIENCE | 3 |
Authorship and the Public Sphere | 13 |
Reputation | 30 |
Reading Consumption | 39 |
COLERIDGE | 49 |
WORDSWORTH 2 2 2 0 | 91 |
Ballads 1800 | 117 |
An Epitaphic | 124 |
FEMINIZING THE POETICS OF RECEPTION | 224 |
Jewsbury Hemans and Landon | 251 |
Copyright and the Paradox of Romantic Authorship | 269 |
CanonFormation Connectiveness and Recuperation | 289 |
REPETITION | 298 |
Hermeneutic | 311 |
Women Readers and the Dangers of Sympathetic | 317 |
AN AMBIGUOUS | 333 |
ANNA BARBAULD | 134 |
Interventions and Trespasses | 145 |
COMPETITION AND COLLABORATION | 173 |
Envy Irony and the Rivalry of Genres | 215 |
From Sheridan to Thelwall | 339 |
372 | |
391 | |
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addressed aesthetic Anna Letitia Barbauld anonymous anxiety of reception argued audience Barbauld become Biographia canon century Christabel claims Clarendon Press Coleridge Coleridge's contemporary creative criticism culture defence discourse Dorothy Dorothy Wordsworth echo Edinburgh Edinburgh Review English essay fame fear feelings female feminine figure friends gender genius genre Hazlitt hermeneutic hierarchy of genres Ibid ideal identity ideology imagination John Keats Kubla Khan Lamb language Lectures letter literary literature London Lyrical Ballads Mary Shelley Mary Wollstonecraft masculine metaphor Milton mind narrative novels parody past Peacock period Peter Bell poem poet poet's poetics of reception poetry political popular Preface Priestley published Quincey quoted readers reading aloud reading-public reviewers rhetoric role Romantic Romanticism sense Shakespeare spirit status sublime suggests sympathy taste theory tion Tom Paulin tradition verse voice vols Warrington Academy William William Wordsworth Wollstonecraft woman women writers words Wordsworth Prose writing-reading